Tronto Trilogy 融合了我们精心打造的三款模拟风格合成器，包括 TRONTO、VCO 和 DCO。
TRONTO
适用于 Kontakt 5 的复古模拟风格复音合成器
特点：
+ 7 种波形 + 来自 1972 年合成器振荡器的粉红噪声和白噪声
+ 使用 50 年前的电子管前级放大器录制到复古磁带
+ 30 种滤波器选择
+ 6 个 LFO，每个部分（振荡器、滤波器、放大器）两个
+ 2 个全局 LFO 和一个 AHD 包络，分别调制这 6 个 LFO
+ 36 种弹簧混响变化
+ 200 个预设
+ 轻松将旋钮和滑块分配给外部控制器
+ 独特的"饱和度"按钮，带有自定义磁带/电子管脉冲响应
+ 3 种界面颜色选择
+ 极其直观的学习和操作
VCO
TRONTO 的无磁带版本
DCO
用于录制 Tronto 波形的 1965 年电子管 Vortexion CB1
特点：
+ 7 种相位对齐的波形，来自传奇1980 年代日本 DCO 模拟合成器
+ 使用老式电子管前级放大器录制，无需磁带，确保波形精准
+ 30 个滤波器可选
+ 6 个低频振荡器，每个部分（振荡器、滤波器、放大器）两个
+ 2 个全局低频振荡器和一个 AHD 包络，分别调制这 6 个低频振荡器
+ 36 种弹簧混响变化
+ 超过 100 个预设（其中许多具有"模块化"风格的声音）
+ 在多模式下将合成器与"Tronto"连接，实现双振荡器和控制
+ 独特的磁带"饱和度"按钮，带有自定义磁带/电子管脉冲响应
+ 带有经过调整的自振荡和丰满的锯齿波/方波低音采样
之所以使用"精准"一词，有两个原因：首先，原始模拟合成器的数控振荡器保持了非常精准的调音；其次，这些波形的录制未使用磁带，这使得它们与原始波形非常真实、精确（从而减少了失真）。 Kontakt 中实现了更具特色且更"科学"的合成效果）。这使得 DCO 成为 Tronto 的完美搭档，因为它们彼此形成了完美的对比。
作为不使用磁带的补偿，Kontakt 5 中的磁带饱和插件被启用，同时还启用了常规饱和效果以及 Tronsonic 自己的磁带和电子管脉冲响应，这些效果都包含在卷积混响中。所有这些都可以通过界面上的"饱和"按钮同时激活，这确实带来了显著的效果。
The Tronto Trilogy combines 3 of our expertley crafted analogue style synths, featuring TRONTO, VCO & DCO.
TRONTO
Vintage Analogue style Polysynth for Kontakt 5
Features:
+ 7 waveforms + pink and white noise from 1972 synthesizer oscillators
+ Recorded with 50 year old valve pre-amps to vintage tape
+ A choice of 30 filters
+ 6 LFOs, two per section (oscillator, filter, amplifier)
+ 2 global LFOs and an AHD envelope modulating each of the 6 LFOs
+ 36 variations of spring reverb
+ 200 Presets
+ Easily assign knobs and sliders to external controllers
+ Unique 'saturation' button with custom tape/tube impulse response
+ Choice of 3 interface colours
+ Incredibly intuitive to learn and operate
VCO
The tapeless version of TRONTO
DCO
The 1965 valve Vortexion CB1 used to record Tronto's waveforms
Features:
+ 7 phase aligned waveforms from a legendary 1980s Japanese DCO analogue synth
+ Recorded using vintage valve pre-amps without tape, for waveform precision
+ A choice of 30 filters
+ 6 LFOs, two per section (oscillator, filter, amplifier)
+ 2 global LFOs and an AHD envelope modulating each of the 6 LFOs
+ 36 variations of spring reverb
+ Over 100 Presets (many with a 'modular' style sound)
+ Link synths with 'Tronto' in multi-mode for dual oscillators and control
+ Unique tape 'saturation' button with custom tape/tube impulse response
+ With tuned self-oscillation and extra fat sawtooth/square bass samples
The word 'precision' is used for two reasons - firstly the digitally controlled oscillators of the original analogue synth maintain a very accurate tuning, and secondly because no tape was used in the recordings of these waveforms, which in turn keeps them very true and precise to the originals (allowing a less characterful and more 'scientific' synthesis to take place within Kontakt). This makes DCO the perfect companion for Tronto, as they contrast each other perfectly.
In exchange for not using tape, the tape saturation plugin within Kontakt 5 is enabled, along with the regular saturation effect AND Tronsonic's own tape and valve impulse response within the convolution reverb. This is all simultaneously activated with the 'saturation' button on the interface, and really makes a difference. |
