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支持系统：Windows.MAC

音源厂商：https://thephonoloop.com/products/tapes-01

使用  Kontakt 7.  Kontakt 8加载

文件大小：19GB

界面
极简主义，尽可能简洁，页面和标签越少越好——这是我们设计界面时的重点。Tapes 的界面分为两页，第一页仅包含必要的控制选项——音量、采样开始、宏控制——这样您就可以立即开始塑造声音，而无需担心细节。加载大多数预设后，您首先会看到它，它可以帮助您快速找到所需的声音或进一步塑造。

如果您想深入了解这款乐器，可以访问第二页，它分为三个水平部分，包含所有控制选项：

上半部分是"音频部分"，包含所有源控制、滤波器和效果器。中间部分是"调制部分"，在这里您可以找到包络、音序器、LFO 和 MIDI 控制选项。最后是底部部分，顺便说一下，它在两种视图下均可用——它包含用于微调声音（噪音、漂移、压缩、均衡等）的最终控制选项。

声音
Tapes.01 专注于合成器声音和声音合成的通用领域。声源由各种硬件和软件合成器及效果器创建——从数字 FM 和物理建模合成器到模拟和数字 Eurorack 模块和合成器。所有内容都录制在磁带、卡带、微型磁带或盒式磁带循环中，因此在开始处理之前，每个声音都已经拥有了良好的质感（这也是因为我们喜欢用磁带录音）。

大多数参数可以通过各种音源进行调制，因此，它虽然擅长创作低保真、温暖且（通常难以预测的）不断变化的声音，但它也非常适合创作现代、电影般的声音，甚至更好——两者兼而有之。我们认为它非常特别——再加上磁带循环的不可预测性，你可能会花费数小时来处理它。有趣的是，就连我们也没想到它最终会如此多功能。

此外，还有全新的 Swarm 模式（除了复音、单声道和连奏等其他模式外）。它非常适合截取小部分声音，并将其融合成更大的循环，或像雨滴一样滴落，甚至将它们变成模糊的声墙，类似于颗粒合成的声音效果。

使用你自己的样本
只需将单个音频文件拖放到源 A 或源 B 即可。

声源类型
声音
每个调都有自己的样本（每个声音 73 个样本）

就像在磁带循环中一样，你可以听到循环点的位置，但循环本身比普通磁带循环更长、更平滑、更"稳定"。

磁带循环
全调范围单采样（每个音色 1 个采样）

这些是真实的磁带循环：温暖、低保真，有时还带有"不稳定"的音色。此类别包含复杂和简单的声音。由于磁带循环的特性，使用它们可以产生最独特、最优美的效果，尤其是在将两个声源组合在一起，然后使用内置音序器进行调制时。

同步
每个调都有自己的采样（每个音色 73 个采样）

循环以 80 BPM 录制，大部分为 4 小节（少数音色为 2 小节）。此类别中的声音循环非常流畅，并且得益于 Kontakt 的时间拉伸算法，它们与宿主节奏同步。

规格
需要完整版 Kontakt 6.60 或免费的 Kontakt Player 6.60（或更高版本）
Native Access 处理的下载量
11100 个采样
21.2 GB（NCW 24 位），26.8 GB（未压缩）（WAV 24 位）
443 个声源
217 个噪声采样
492 个预设

Interface
Minimalistic, as simple as it can be, the fewer pages and tabs it has the better - that was our focus when we were designing the interface. Tapes interface is divided into two pages, first page contains only essential controls - volume, sample start, macro controls - just so you could start shaping the sound right away without worrying about the details. In the end it's the first thing that you'll see after loading most of the presets, and it's a nice way to quickly find a sound you're looking for or to shape further.

If you want to dive deeper into the instrument, then there's the second page, divided into three horizontal sections, which contains all the controls:

Upper section is the 'audio section', it has all the source controls, filter and effects. The middle section is the 'modulation section' - here you'll find envelopes, sequencers, LFOs and MIDI controls. Lastly there's the bottom section which by the way is available on both views - it contains the final set of controls to fine-tune the sound (noise, drift, compression, EQ, etc.).

Sound
Tapes.01 focuses on synth sounds and sound synthesis in general. The sound sources were created using various hardware and software synthesizers and effects – from digital FM and physical modelling synths to both analog and digital eurorack modules and synths. Everything was recorded either on tape, cassette, microcassette, or cassette tape loops, so every sound already have a nice texture before you start messing with it (also because we just like to record things to tape).

Most parameters can be modulated by various sources, so while it naturally excels in creating lofi, warm and (often unpredictable) evolving sounds, it's also great for creating modern and cinematic stuff or even better - a mixture of both. It's something that, we think, is quite special - add to that the unpredictable nature of tape loops, and you can spend hours messing with it. Funny enough, even we weren't expecting how versatile it'll end up be.

Furthermore, there's the new swarm mode (beside other modes like polyphonic, mono & legato). It's great for taking small portions of the sounds and smelting them into bigger evolving loops, or rain like droplets, or even turning them into smeared-out wall of sound, similar to how granular synthesis can sound.

Use your own samples
Just drop a single audio file on to either source A or source B.

Type of sound sources
Sounds
Every key has its own sample (73 samples per sound)

Like in a cassette tape loop you can hear where the loop point is, but the loop itself is longer, smoother and more 'stable' than in regular tape loops.

Tape Loops
One sample for the whole key range (1 sample per sound)

These are actual cassette tape loops: warm, lofi and sometimes 'unstable'. This category contains both complex and simple sounds. Due to the nature of tape loops, using these can produce the most unique and beautiful results, especially when you start combining two sound sources together and then modulate everything using built in sequencers.

Synced
Every key has its own sample (73 samples per sound)

Loops were recorded at 80 BPM and are mostly 4 bars long (a few of the sounds are 2 bars long). Sounds from this category loop very smoothly and are synced to the host tempo thanks to Kontakt's time-stretching algorithm.

Specs
Requires full version of Kontakt 6.60 or free Kontakt Player 6.60 (or higher)
Downloads handled by Native Access
11 100 samples
21,2 GB (NCW 24-bit), 26,8 GB uncompressed (WAV 24-bit)
443 sound sources
217 noise samples
492 presets 磁带合成合成器音色