尖端科技
细致入微、动态丰富的加法合成——锐利如剃刀
极致的声音灵活性和变形能力，成就无限可能的声音设计
易于使用的减法控制和独特的视觉反馈
创新加法
RAZOR 作为加法合成领域的先锋，带来无与伦比的个性。探索尖端的声音设计，它拥有无与伦比的动态和精准的声音特性，非常适合紧张的低音、激昂的主音以及变幻莫测的科幻音景。RAZOR 由柏林特立独行的制作人 Errorsmith 与 Native Instruments 联手打造，其加法合成方法务实且富有音乐性——在提供精细控制的同时，又不牺牲易用性。
告别虚拟模拟的尘埃——加入加法，用 RAZOR 提升您的录音棚音色。
加法合成之声
在加法合成中，声音由泛音构成——单个正弦波并行发射，随时间改变振幅甚至频率。即使在经过大量调制的情况下，最终的声音也能始终保持清晰精准。
RAZOR 的加法引擎包含多达 320 个分音。您听到的一切——滤波器、立体声像，甚至混响和延迟，都是通过操控这些独立的正弦波产生的。这使得 RAZOR 拥有清晰、高分辨率的声音，与其他软件合成器截然不同。
RAZOR 的优势
除了卓越的音质外，加法合成器的控制水平还为声音的塑造提供了许多新的可能性。以下是 RAZOR 的一些功能示例：
创意滤波器 - 可变斜率和增强
不协和 - 从调制单个分音到压缩整个声音
每个分音的混响 - 混响尾音跟随音高
分音声像 - 分别对频谱的各个部分进行声像
复杂的共振峰 - 作为滤波器和振荡器
回声阶 - 创建不断变化的回声
声码器 - 卓越的 34 频段声码器
更多信息：Errorsmith 关于 RAZOR
专为音乐家设计
RAZOR 的界面借鉴了"传统"合成器中常见的概念。您会认出振荡器、滤波器部分和许多其他参数，但选项却是全新的 - 例如共振峰或水床设置。这种新旧结合使声音创作变得异常简单。
RAZOR 专为音乐家而非科学家设计。整个界面简洁明了，重点突出，拥有直观的内部调制框架和大型图形显示屏。当您创作声音时，此显示屏可提供实用的视觉反馈和精美的 3D 图形。
宏指令，助您演奏
演奏视图提供八个宏指令控制，预先映射到每个预设中的滤波器、振荡器、调制和效果器。只需将 RAZOR 中的宏指令映射到控制器上的八个旋钮即可。在 MASCHINE 中使用 RAZOR 时，这些宏指令会自动映射到控制器上的八个旋钮——即时、轻松的硬件控制。
THE CUTTING EDGE
Detailed, dynamic additive synthesis – sharp as a RAZOR
Extreme sonic flexibility and morphability for boundless sound design
Easy-to-use subtractive controls and unique visual feedback
INNOVATIVE, ADDITIVE
At the vanguard of additive synthesis, RAZOR delivers character like no other. Discover cutting edge sound design with unparalleled dynamics and a precise sound identity suited to tense basses, bristling leads and shifting, sci-fi soundscapes. Created by maverick Berlin producer Errorsmith in partnership with Native Instruments, RAZOR's approach to additive synthesis is pragmatic and musical – providing detailed control without sacrificing usability.
So shake off the virtual analog dust – go additive and sharpen your studio cuts with RAZOR.
THE SOUND OF ADDITIVE SYNTHESIS
In additive synthesis, the sound is constructed from partials – single sine waves firing in parallel, changing amplitude and even frequency over time. The resulting sound remains clear and precise at all times, even when heavily modulated.
RAZOR's additive engine consists of up to 320 partials. Everything you hear - the filters, the stereo imaging, even the reverbs and delays are created by manipulating these individual sine waves. This gives RAZOR an up-front, high-resolution sound, unmistakably different to other software synthesizers.
RAZOR'S EDGE
Apart from outstanding sound quality, the level of control in additive synthesis provides a host of new possibilities for shaping sound. Here are some examples of what's possible in RAZOR:
Creative filters – variable slopes and boosts
Dissonance – from modulating single partials to compressing the whole sound
Reverb per-partial – the reverb tail follows pitch
Partial panning – pan parts of the frequency spectrum separately
Complex formants - as filters and oscillators
Echo steps – create evolving echoes
Vocoder – an exceptional 34-band vocoder
More info: Errorsmith on RAZOR
DESIGNED FOR MUSICIANS
RAZOR's interface draws on familiar concepts from 'traditional' synthesizers. You'll recognize the oscillators, filter section, and many other parameters, but the options are new – the formant or the waterbed settings, for example. This combination of new and familiar makes creating sounds surprisingly simple.
RAZOR has been designed for musicians, not scientists. The entire interface is compact and focused, with a straightforward internal modulation framework and a large graphical display. When you're creating sounds, this display provides helpful visual feedback and some beautiful 3D graphics.
MACROS FOR PERFORMANCE
A performance view provides eight macro controls, pre-mapped to filters, oscillators, modulation, and effects in each preset. Just map the macros in RAZOR to eight knobs on your controller. And when using RAZOR in MASCHINE, these macros map automatically to the eight knobs on the controller – instant, effortless hardware control. |
