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支持系统：Windows MAC

音源厂商：https://www.xhun-audio.com/site/xhun.php?page=littleone

独立安装程序 PC + MAC

文件大小：26MB

LittleOne 是一款忠实的软件模拟产品，它忠实地还原了最具传奇色彩且备受推崇的硬件模拟合成器之一，设计紧凑，却又功能强大，富有表现力。

除了精确还原原始信号路径外，LittleOne 内部的每一个组件（振荡器、滤波器、包络等）都与其对应的模拟硬件保持了相同的原始架构、频率响应和工作范围，从而产生深沉、丰富而温暖的声音。

此外，它还配备了一个完整的机架，包含一个 16 步模拟音序器、一个 16 步 trancegate 效果器以及两个插入/主效果器插槽，最终打造出一套完整、逼真的模拟音色，让您在舒适的现代数字录音室环境中也能享受到。

功能
采用高级组件仿真 (ACS) 方法，对真实模拟硬件进行物理建模仿真——振荡器、滤波器、包络等均保留其原始架构，展现了模拟技术的所有细微不稳定性及缺陷。

模拟的每个环节均采用 64 位全精度处理。

一体化完整配置：模拟合成器 + 模拟音序器 + trancegate 效果器 + 插入/母带效果器。

两个无混叠模拟建模振荡器，提供与原始模拟电路相同的电容充电/放电响应，并具有三角波、锯齿波、方波、脉冲波（包括脉冲宽度调制）之间的连续波形选择模式（变形）。

一个传奇的四极谐振低通梯形滤波器（采用拓扑保持变换/零延迟反馈方法建模），展现了所有原始非线性、频率响应（即使在极端调制情况下也是如此）。自激振荡、软削波和过载控制

两个 4 级 (ADSR) 包络发生器，提供与原始模拟电路相同的电容充电/放电响应

扩展调制功能，包括白噪声发生器、采样保持源和多波形低频振荡器 (LFO)，其频率范围覆盖原始频率范围（0.2 Hz 至 500 Hz），可实现高级频率调制设计

真正的模拟复音。除了经典的单音模式外，复音（4 声部）是通过分别模拟四个完全独立的合成系统（设备）来实现的，这与原始硬件规格扩展的预期一致。四个独立声部（设备）中的每一个都可以单独进行调谐/失谐，以获得更深沉、更丰富的复音效果

模拟组件选择器。选择 LittleOne 中使用的组件类型：选择超稳定组件、锁相振荡器（类似最新模拟合成器），或选择老旧且不稳定的组件并禁用主振荡器的锁相。

访问所有高级功能，例如可选调制源/目标、设置力度以控制滤波器截止频率、扩展弯音范围、选择 MIDI 输入通道等等——所有这些都可以通过操作系统的 LED 显示屏实现。

包含 XSQ16A 单元（机架），一个单音 16 步模拟音序器。

包含 GAT3D 单元（机架），一个 16 步 trancegate 效果器。

包含两个插入/主效果器插槽，可选择：

X-TREME 单元（机架），一个精确建模、震撼人心的电子管失真效果器。

FLANG-R 单元（机架），一个富有表现力的立体声镶边效果器。

CHOR-S 单元（机架），一个富有表现力的立体声合唱效果器。

D-LAY 单元（机架），一款节奏同步立体声延迟效果器

REEVERB 单元（机架），一款基于谐振器的电子混响效果器

包含 400 多个现成的原厂预设，涵盖所有风格，从复古模拟主音和贝斯到频率调制序列、当代尖端电子动态打击垫、Trance 刺音、复杂的心理声学结构、打击乐和特殊音效。所有 Little Phatty¹ 原厂音色（舞台版和致敬版）也包含在内。

其他预设/音色可作为商业扩展使用。

MIDI 自动化，CC# 映射遵循 Little Phatty¹ 原厂 MIDI CC# 规范。

支持 44.1 kHz 至 192 kHz 的采样率。

提供多种尺寸的 GUI 分辨率。

LittleOne is a faithful software emulation of one of the most legendary and appreciated hardware analog synthesizers, compact in design but also extremely powerful and expressive.

In addition to an accurate re-creation of the original signal path, every single component inside LittleOne (oscillators, filter, envelopes, etc.) prove the same original architecture, frequency response and operative range of its analogue hardware counterpart, producing a deep, rich and warm sound.

Add to the equation a full rack with a 16-step analogue sequencer, a 16-step trancegate effect, two insert/master effects slots and the result is a complete, true-analogue-sounding setup within the comfort of a modern digital studio.

Features
Physical modeling simulation of real analogue hardware, achieved by the adoption of the Advanced Component Simulation (ACS) approach - oscillators, filters, envelopes (,...) are built preserving their original architecture, featuring all the micro-instabilities and imperfections of the analogue technology

Full 64-bit processing accuracy for every single aspect of the simulation

An all-in-one complete setup : analogue synthesizer + analogue sequencer + trancegate effect + insert/master effects

Two aliasing-free analogue modeled oscillators proving the same capacitors' charging/discharging responses as found on the original analogue circuits, featuring a continuous waveform selection mode (morphing) between triangle, sawtooth, square, pulse (including pulse width modulation)

A legendary 4-pole resonant low pass ladder filter (modeled by the adoption of the topology-preserving transform / zero-delay feedback approach) proving all the original non-linearities, frequency responses (also at extreme modulation scenarios), self-oscillation, soft-clipping and overload control

Two 4-stage (ADSR) envelope generators proving the same capacitors' charging/discharging responses as found on the original analogue circuits

Extended modulation possibilities, including a white noise generator, a sample-and-hold source and a multi-waveform low-frequency-oscillator (LFO) featuring the original frequency range (from 0.2 Hz up to 500 Hz), allowing for advanced frequency modulation designs

True analogue polyphony. In addition to a classic monophonic mode, polyphony (4-voices) is achieved by simulating four fully-independent synthesis systems (devices) separately, as expected in the original hardware specification extension. Each of the four independent voices (devices) can also be tuned/detuned separately for an even more deep and rich polyphonic sound

Analogue components selector. Choose what kind of components to use inside LittleOne : select ultra-stable components, phase-locked oscillators (like in most recent analogue synthesizers) or select aged, much more unstable components and disable the phase-lock of the main oscillators

Accede all the advanced features like the alternative modulation sources/destinations, set the velocity to control the filter cutoff, extend the pitch bend range, select the MIDI input channel and much more - all from the operating system led display

Including XSQ16A unit (rack), a monophonic 16-step analogue sequencer

Including GAT3D unit (rack), a 16-step trancegate effect

Including two insert/master effects slots with the possibility to choose :

X-TREME unit (rack), an accurately modeled, ground-shaking tube distortion effect

FLANG-R unit (rack), an expressive stereo flanger effect

CHOR-S unit (rack), an expressive stereo chorus effect

D-LAY unit (rack), a tempo-synced stereo delay effect

REEVERB unit (rack), a resonator-based electronic reverb effect

Including a huge 400+ ready-to-use factory presets collection covering all styles, from vintage analogue leads and basses to frequency modulation sequences, contemporary cutting-edge electronic motion pads, trance stabs, complex psychoacoustic constructions, percussive and special sound effects. All the original Little Phatty¹ factory patches (Stage Edition and Tribute Edition) are also included

Additional presets/patches available as commercial expansions

MIDI automation, with CC# mapping following the original Little Phatty¹ MIDI CC# specs

Support for sample rates from 44.1 kHz up to 192 kHz

Available in multi-size GUI resolutions