Sumu在软件合成方面开辟了全新的天地，将加性再合成与FM和矢量场空间化相结合。它围绕一个独特的多通道修补器设计了十个模块，提供了其他任何乐器都没有的音乐可能性。
在Sumu中，采样声音被表示为多达64个带宽增强的部分的集合，每个部分的频率、音量和噪声都会随着时间而变化。这种声音的表现使各种创造性的变化成为可能，从自然的声音时间延伸到异国情调的音色操纵。使用中央多通道修补器，声音中的每个部分都可以独立操纵，感觉更像是播放而不是编程。选择一些谐波并对其进行频率调制？没问题根据频率延迟每个部分？当然。
Sumu能够实现空间和时间的精确和仔细的变化，或狂野的混乱变化。取一个样本，选择几个部分，并将它们放置在声场中的其他地方。或者，当每个部分在自己的路径上缩放时，将所有东西都爆炸，并将其搅动成多普勒频移合唱的旋风。
然后，一股溪流潺潺流过，当我们聆听时，单个水滴逐渐被推入一条线，形成量化的节奏。Sumu中的脉冲模块是一个用于再合成的丰富调制器，或者是一个独立的复杂声音源。它提供了节奏和噪音、有机和合成之间的平滑过渡。
为了平衡所有这些非常现代的数字操作，有一个基于经典四极Moog梯形设计的模拟建模滤波器。它可以自行振荡出大的复古声音，或者只是把那些尖刺的边缘磨圆。
Sumu breaks completely new ground in software synthesis, combining additive resynthesis with FM and vector field spatialization. Its collection of ten modules, designed around a unique multi-channel patcher, offer musical possibilities not found in any other instrument.
In Sumu, sampled sounds are represented as collections of up to 64 bandwidth-enhanced partials, each with a frequency, volume, and noisiness that can change over time. This representation of sound makes all kinds of creative changes possible, from natural-sounding time stretching to exotic timbral manipulations. Using the central multi-channel patcher, each partial in a sound can be manipulated independently in a way that feels more like playing than programming. Pick a few harmonics and frequency-modulate them? No problem. Delay each partial according to its frequency? Sure.
Sumu enables precise and careful changes in space and time, or wild chaotic ones. Take a sample, choose a few partials, and place them somewhere else in the sound field. Or explode everything and stir it into a whirlwind of doppler shifted chorus as each partial zooms around on its own path.
And then a stream comes burbling through, and as we listen, the individual droplets are gradually nudged into line to make a quantized rhythm. The pulses module in Sumu is a rich modulator for resynthesis, or a source of complex sounds all on its own. It offers smooth transitions between rhythm and noise, organic and synthetic.
As a balance to all of this very modern digital manipulation, there's an analog-modeled filter based on the classic four-pole Moog ladder design. It can self-oscillate for big vintage sounds, or just round off those prickly edges. |
