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Waldorf PPG Wave 3 V v2.0.0 传奇 PPG 波形合成器 |
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支持系统：Windowns |
音源厂商：https://waldorfmusic.com/ppg-wave-3-v-en/ |
独立安装程序 PC |
文件大小：37MB |
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Waldorf PPG Wave 3.V 是传奇 PPG 波形合成器的再版，它无疑是 80 年代最受推崇的高端合成器之一。这款合成器由 Wolfgang Palm 开发，出现在无数唱片中，并激励了整整一代制作人、作曲家和听众。在那个年代，人们要么花钱买车，要么花钱买 PPG，而全新的 PPG Wave 3.V 则以非常实惠的价格，将这款令人惊叹的音色特性完美呈现，方便用户在任何 VST 或 AU 主机上使用。 PPG Wave 2 是首款带有模拟滤波器的数字波表合成器，它开创了全新的声音世界，并带来了无限的音效可能性。不久之后，继任者 PPG Wave 2.2 诞生，创造了历史。它拥有丰富的波形库，不仅可以重现已知的模拟声音，还能重现精彩的合唱、花哨的音效。在此之前，波表的数字声音闻所未闻，它通过平滑地来回切换 64 个波形，带来了震撼的音效演变。 然而，当时的技术也带来了一些刺耳的失真，例如混叠等，这在当时是无法避免的。如今，尽管技术已经取得了一些进步，但 Waldorf 的工程师们甚至设法恢复了这种刺耳的失真，以重现其原有的音质。 波表合成的发明者 Wolfgang Palm 在开发过程中提供了帮助，尽可能地还原了 PPG 的音质。"我们非常感谢 Wolfgang 在开发过程中提供的宝贵建议和深刻见解。" Waldorf 的开发人员 Stefan Stenzel 说道。 PPG 的数字波形和模拟滤波器的结合，赋予了它无与伦比的饱满和强劲的音质。PPG 3.v 非常精确地还原了这种音质，甚至精细到最小的细节分辨率。使用 PPG 3.V，实际上可以在原始版本的多个版本之间切换。除了 PPG Wave 2.2 和 PPG Wave 2.3 之外，PPG Wave 2.V 及其混叠和其他刺耳音源的细微差别均可调节。 Waldorf PPG Wave 3.V 能够提供高达 256 个复音，具体取决于主机。每个复音都提供两个波表振荡器，并可选配 8、12 或 32 位分辨率的采样回放。采样可以通过拖放操作轻松加载。8 声部多模式允许使用多采样，并保持原版的魅力和易用性。 可选的 12 或 24 dB 低通滤波器进一步塑造声音，这是对经典 PPG Wave 2.2/2.3 滤波器的真实再现，其后可选配过载以增加模糊效果。除了低频振荡器 (LFO) 之外，三个包络发生器可用作调制源，可用于原始的粗犷调制或现代的平滑调制。 最多可将八个声部编排为复音、双音、四音和单音同音模式，并可单独调整半音以用于自动和弦或旋律。得益于配备八个立体声输出的多模式功能，该乐器非常适合录音室环境或舞台演出。 琶音器提供上升和下降模式，此外还有交替模式，以及PPG独有的"级联模式"。为了进一步完善，可以同时使用多种效果器，其中包括4频段均衡器、多种过载模式、最多12个阶段的移相器以及最多6个抽头的合唱效果器。此外，还提供镶边、立体声延迟和混响。 初代PPG拥有独特的用户界面，"模拟控制面板"可直接访问许多参数，而数字菜单则使用一些晦涩难懂的缩写进行编辑，您必须查阅手册才能理解。 PPG Wave 3.V沿用了同样的理念，并在参数名称和数值方面略有改进，使其更加易于理解。几乎所有参数都可以通过指定的控制编号进行主机自动化和便捷的 MIDI 调节。这使得 PPG Wave 3.V 能够轻松集成到任何现有的制作环境中。 常规 每个复音 每个声部（最多 8 个声部可用） Waldorf PPG Wave 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, composers and listeners. While back then it was your choice to spent your money either for a vehicle or the PPG, the new PPG Wave 3.V renders this breathtaking sonic character very affordable, comfortably to use for every VST or AU Host. PPG Wave 2 was the very first digital Wavetable synthesizer with analog filters that allowed completely new worlds of sound and endless sonic possibilities. Shortly afterwards, the successor PPG Wave 2.2 came out and was born to make history. With a gigantic arsenal of waveshapes, it could not only reproduce known analog sounds, but also brilliant choirs, bells and whistles. The digital sounds of wavetables had been unheard until then and offered sensational sonic evolutions by smoothly going through 64 waves back and forth. But the technical possibilities also produced harsh artifacts such as aliasing and others, which could not be omitted back then. Today, although technology is some steps further, Waldorf engineers even managed to get the harshness back in order to recreate the character of the beast. Wolfgang Palm, the inventor of Wavetable Synthesis, assisted during the development process in order to recreate the PPG as close as possible. "We are very thankful for Wolfgang's very informative advice and insight during development." Says Waldorf developer Stefan Stenzel. The combination of digital waveshapes and analog filters of the PPG was responsible for an unparalleled fat and thrust boosting character. This has been very accurately recreated in PPG 3.v up to the smallest resolution of detail. With PPG 3.V, it is actually possible to switch between several version of the original. Besides PPG Wave 2.2 and PPG Wave 2.3, PPG Wave 2.V and their subtle differences in aliasing and other sources of harshness are adjustable. Waldorf PPG Wave 3.V is capable of delivering up to 256 voices of polyphony, depending on the host computer. Each voice offers two Wavetable oscillators with optional sample playback with either 8, 12, or 32 bits of resolution. Samples can easily be loaded by Drag & Drop. An 8 part multimode allows multisamples to be used with the same charme and ease of use that the original offered. Sound is further shaped by a selectable 12 or 24 dB lowpass filter, which is an authentic recreation of the classic PPG Wave 2.2/2.3 Filter, followed by an optional overdrive for extra fuzz. Besides the LFO, three envelope generators serve as modulation sources, either for the original rude or the contemporary smooth modulation. Up to eight parts can be arranged in poly, dual, quad and mono unison modes, with separate semitone adjustments for automatic chords or melodies. Thanks to the multimode with eight stereo outputs, the instrument is well suited for both studio environment or live on stage. The Arpeggiator offers up and down modes, besides this an alternate mode and with "cascade mode" a true PPG specialty. For further refinement, several effects are available simultaneously, among these a 4-band equalizer, several overdrive modes, a phaser with up to 12 stages and a chorus with up to six taps. Flanger, stereo delay and reverb are also available. The original PPG featured a unique user-interface, the "Analog Control Panel" offered direct access to many parameters, while digital menus were edited with somewhat cryptic acronyms that you had to look up in the manual in your lap. PPG Wave 3.V features the very same concept, with the slight enhancement of comprehensible parameter names and values. Almost all parameters can be subjected to host automation and convenient MIDI regulation by assigned control numbers. This makes it very easy to integrate PPG Wave 3.V into any existing production environment. General Per Voice Per Part (up to 8 parts available) |