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支持系统：Windows

音源厂商：https://www.vilabsaudio.com/Ravenscroft-By-VI-Labs

使用猎鹰合成器  UVI Falcon 3 加载  PC

文件大小：5.3GB

在 VI Labs，我们相信某些乐器确实可以激发您的灵感，并将您的创造力提升到新的水平。Ravenscroft 275 就是其中一种罕见的乐器。这款独一无二的音乐会大钢琴使用近 17,000 个样本和 4 个独立麦克风进行了重现，并通过易于使用的界面进行控制。我们的目标是使用最新的采样技术模拟 275 细腻声音的各个方面，让这架令人惊叹的钢琴清晰地发声。结果：一架与众不同的虚拟钢琴。

重现像 275 Titanium 这样的音乐会大钢琴的音色和可玩性并非易事。精确的演奏速度加上复杂的谐波相互作用和细节经过精心采样，然后由强大的脚本和引擎进行控制。控制类似于建模的虚拟钢琴，但完全基于样本。无论使用哪种控制器，触摸响应都是一致的。同时将您的资源使用量降至最低，并提供快速加载时间。

这是一架适合所有风格的钢琴。华丽的细节丰富。丰富清晰的击弦音、独特的静音打击、断奏释放轨迹、真实采样的 Una Corda 踏板和采样的共振，所有这些都带来了虚拟钢琴以前无法达到的真实感。如果常见的钢琴音色已经让人厌烦，是时候尝试一些新鲜的东西了，那么 Ravenscroft 275 就是您的不二之选。这真的是钢琴家的虚拟钢琴。

Ravenscroft 钢琴由 Michael Spreeman 在其位于亚利桑那州斯科茨代尔的公司设计和制造。在与著名爵士钢琴家兼作曲家 Bob Ravenscroft 合作打造了一架定制演奏钢琴以满足 Bob 的最高要求和表现力之后，Spreeman 先生成立了 Spreeman Piano Innovations，以这位作曲家的名字命名了 Ravenscroft 钢琴的独家系列。每架手工制作的 Ravenscroft 钢琴都需要 1,000 多个小时才能完成，大约是工厂制造钢琴的四倍，而且每架钢琴都可以根据客户的要求或特定的设计或地点专门制造。

Spreeman 先生一直在观察钢琴世界的大部分数字化趋势，逼真的采样以及越来越快的计算机使原声钢琴的声音更容易模仿。对于 Spreeman 先生来说，捕捉他标志性的 Ravenscroft 声音是当务之急，以便尽可能准确地“模拟器”。 VI Labs 在整个过程中的每一步都与 Ravenscroft Pianos 合作，对他们的 275 Titanium 进行采样并进行测试，因此我们捕捉到了让虚拟和原声乐器制造商都满意的完美音色。 Ravenscroft 的首要任务是找到合适的团队来采样他们的钢琴，因为需要达到预期的准确度和真实度。凭借我们对钢琴和录音方法的详细了解以及利用 UVI 引擎编写的复杂脚本，我们能够创建官方授权的 Ravenscroft 275 库，真正模拟 Ravenscroft 275 音乐会三角钢琴的声音。
275 钛合金型号是作为协奏曲钢琴打造的，能够在整个管弦乐队中演唱，同时仍能轻松清晰地处理最精细的乐段。音板采用来自 1,000 年树龄的锡特卡云杉，动作经过 CAD 优化，响应灵敏且平衡精确公差，所有琴弦端点均采用实心钛合金，这使其更加明亮和持久。前后调节的双工音阶进一步增加了亮度和光彩。它的反应敏捷度堪比一辆精致的跑车。对于虚拟乐器而言，最重要的是，275 钛合金型号的音调可能性和发声深度似乎无穷无尽。低音深沉，基音明显，男高音纯净丰富，高音保留清晰的泛音，可以根据您的演奏方式随心所欲地发出明亮声音，而不会听起来尖锐或刺耳。持续的声音随着时间的推移而优美地演变，并出现几次明显的“绽放”。总体而言，它既明亮又清晰，但即使在任何音域中以最强音演奏，它也能始终保持温暖的音质。

据 Spreeman 先生说：“虽然我们的声音非常干净纯净，但它也是多维的。我力求在不牺牲对大胆基音的强烈强调的情况下，实现多层次或多维度的复杂谐波，这些谐波可以被听到、感知和感受到。”

At VI Labs we believe that some instruments truly can inspire and take your creativity to new levels. Ravenscroft 275 is one of these rare instruments. This one-of-a-kind concert grand has been recreated using nearly 17,000 samples and 4 discrete microphones, controlled from an easy to use interface. Our goal was to emulate all aspects of the 275's detailed voice using the latest sampling technology and let this amazing piano speak with clarity. The result: a virtual piano like no other.

Reproducing the tone and playability of a concert grand like the 275 Titanium is no easy task. Precise playing velocities plus complex harmonic interactions and details are carefully sampled and then controlled by a powerful script and engine. Control is similar to a modeled virtual piano but entirely sample-based. Touch response is consistent no matter the controller used. All while keeping your resource usage minimal and offering fast load times.

It's one piano that works for all styles. And gorgeous detail is abundant. Rich clear hammer attacks, unique Muted Strikes, staccato Release Trails, real sampled Una Corda pedal, and sampled Resonance all lead to a level of realism previously unobtainable in a virtual piano. If the usual piano tones have worn out their welcome and it's time for something fresh, the Ravenscroft 275 is here. This is truly a pianist's virtual piano.

Ravenscroft Pianos are designed and built by Michael Spreeman at his company in Scottsdale, Arizona. After working with renowned jazz pianist and composer Bob Ravenscroft on a custom performance piano built to satisfy Bob's highest demands and expressiveness, Mr. Spreeman formed Spreeman Piano Innovations to build the exclusive line of Ravenscroft Pianos, named after the composer. Each handmade Ravenscroft grand takes well over 1,000 hours to complete which is about four times that of a factory built piano, and each can be built specifically to a customer's requests or for a specific design or location.

Mr. Spreeman had been seeing trends in how a large part of the piano world was becoming digital, and realistic sampling along with ever faster computers enable acoustic piano sounds to become easier to emulate. It was imperative for Mr. Spreeman to have his signature Ravenscroft voice captured for the most accurate 'simulator' possible. VI Labs worked with Ravenscroft Pianos at every step of the process to sample their 275 Titanium and do tests so we captured the perfect tone that satisfied the virtual and acoustic instrument makers both. A priority for Ravenscroft was finding the right team to sample their piano because of the expected level of accuracy and realism. With our detailed knowledge of acoustic pianos and recording methods plus complex scripting utilizing the UVI engine, we were able to create the officially licensed Ravenscroft 275 library that truly emulates the voice of the Ravenscroft 275 concert grand.
The Model 275 Titanium was built to be a concerto piano and have power to sing over a full orchestra but still handle the most delicate passages with ease and clarity. Sitka spruce from a 1,000 year old tree was used for the soundboard, the action is CAD optimized to be responsive and balanced to precise tolerances, and all string termination points are of solid titanium which contribute to its brilliance and long sustain. Front and rear tuned duplex scale further adds to the brilliance and sparkle. It responds with the agility of a fine sports car. And most important for the virtual instrument, tonal possibilities and depth of voicing with the Model 275 Titanium seem limitless. The bass is deep with a pronounced fundamental, the tenor is pure and rich, and the treble retains clear overtones and can be as bright as you want just in how you play without ever sounding edgy or brittle. The sustaining sound evolves beautifully over time with several notable 'blooms'. Overall there is brightness and definition but it keeps a warm quality at all times even when it's played fortissimo in any register.

According to Mr. Spreeman, "Although our sound is very clean and pure, it's also multi-dimensional. I strive for multiple layers, or demensions, of complex harmonics that can be heard, sensed, and felt without sacrificing a strong emphasis on a bold fundamental tone."