19世纪末的贝希斯坦立式录音机，用Sontronics阿波罗2号立体声带式麦克风录制。主语
"皇帝和国王
C.贝希斯坦Upright-Hof Lieferant Sr.Maj.des Kaisers u.Königs（皇帝和国王的供应商）。
我们的贝希斯坦可以追溯到19世纪末，状况极佳，色调非常温暖。拥有这架钢琴大约六个月后，我决定为钢琴书试听，因为它给了我一个新的创意托盘。
麦克风有助于捕捉到钢琴的深度，包括一对间隔较近的Sontronics Orpheus麦克风，以及一个使用Gary"Barlow"技术的Sontronic Apollo 2立体声带状麦克风，就在我头顶上方；谢谢克里斯蒂安和加里！信号通过UA Apollo 8p接口传输，无需任何处理。
毛毡用双面胶带固定在旧窗帘轨道上。在轨道的每一端都贴上了一个小毛毡角，以减少钢琴的任何振动。
我很想知道你们中的一些人是否可以利用它，因为我正在考虑用更多的速度层重新采样，有和没有感觉。"
A Bechstein upright from the late 1800s recorded with a Sontronics Apollo 2 stereo ribbon mic.The story
"The Emperor and King
C. Bechstein Upright – Hof-Lieferant Sr.Maj.des Kaisers u.Königs (supplier of the Emperor and King).
Our Bechstein dates back to the late 1800s, is in wonderful condition and has an incredibly warm tone. Having had the piano for around six months I decided to sample it for the PianoBook as it has given me a new creative pallet.
The mics have helped to capture a depth to the piano and consist of a pair of Sontronics Orpheus in a spaced close mic position as well as a Sontronics Apollo 2 stereo ribbon mic using the Gary 'Barlow' technique, positioned just above my head; thanks Christian and Gary! The signals go through a UA Apollo 8p interface without any processing applied.
The felt is attached to an old curtain rail using double sided tape. A small corner of felt is also tagged to each end of the rail to reduce any vibrations from the piano.
I would love to know if some of you can make use of it as I'm considering re-sampling with more velocity layers, with and without felt." |
