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Sonicsmiths Piano In Blue KONTAKT 斯坦威D音乐会三角钢琴 |
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支持系统：Windows MAC |
音源厂商:https://sonicsmiths.com/products/piano-in-blue |
使用采样器：Kontakt 7. Kontakt 8加载 |
文件大小：11GB |
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哥伦比亚唱片公司史坦威 D 音乐会三角钢琴 自 2021 年 10 月起，Piano In Blue 已更新，兼容免费的 Kontakt Player 6.6.1+ 以及 NKS 编码，现在可以通过 Native Access 应用程序直接下载和安装。此次更新将 Piano In Blue 添加到 Kontakt 的"资源库"选项卡中，方便访问，并提升了性能和音质。 在本次最新更新中，Direct 采样经过了精心处理和降噪。该音色库在之前的更新中已经进行过降噪处理，在 2021 年秋季的最新 NKS 更新中，Direct 采样再次进行了降噪处理。这项最新处理使音色库温暖丰富的音色得以清晰地呈现，并以自然、可演奏且可控的方式展现了该乐器的特性。 Sonicsmiths Piano In Blue KONTAKT 截图 考虑到 Miles Davis 的《Kind of Blue》录音中出现的一些历史图片，我们的工程师设置了三组麦克风。第一组麦克风是来自旧哥伦比亚设备的 M49 麦克风，位置相同（使用立体声而非单声道），另外两组麦克风则依次放置在更远的位置。 我们为每个麦克风录制了两条信号链，一条干净的信号通过 Neve 调音台，另一条通过一台历史悠久的磁带录音机，最终进入 Pro Tools。我们强烈建议您探索磁带信号迷人的色彩，但为了方便您使用，我们也提供了这两组麦克风。请注意，磁带采样确实具有更高的增益，并且我们添加了"噪音"旋钮，以便您可以控制磁带嘶嘶声的基线水平，以防止采样完全静音。 钢琴采用半音采样——一次一个琴键——展现出每个琴键上令人愉悦的音色变化。这是真实呈现乐器的唯一方法。钢琴的采样均由手工精心制作，在整个录音过程以及之后的每个制作阶段，我们都仔细考虑了与采样钢琴的最佳匹配方式。 我们真诚地希望您能像我们一样喜欢这架钢琴。 钢琴规格： Columbia Records Historic Steinway D Concert Grand Piano As of October 2021, Piano In Blue has been updated to be compatible with the free Kontakt Player 6.6.1+ as well as NKS encoding, and can now be downloaded and installed directly via the Native Access application. This update puts Piano In Blue right in the Libraries tab of Kontakt for easy access, and includes improvements to performance and sound quality. The Direct samples have been meticulously treated and de-noised for this latest update. The library had undergone de-noising for a previous update, and this was done again for the Direct samples for the latest NKS update in the fall of 2021. This newest treatment allows the warm richness of the library to come through cleanly and expose the character of this instrument in a natural, playable, controlled way. Sonicsmiths Piano In Blue KONTAKT screenshotWith a mind to the handful of historic pictures from the recording from Miles Davis' "Kind of Blue," our engineer set up three sets of microphones. The first pair – the M49's from the old Columbia setup, with the same placement (using stereo placement rather than mono), and with the two other pairs each set successively farther back. We recorded two signal chains for each mic, a clean signal going through the Neve console and one going through a historic tape machine and finally into Pro Tools. We highly suggest exploring the charming colorization of the tape signal but both are provided for your convenience. Note that the Tape samples do have a higher-gain sound, and we include a Noise knob so you can control the baseline level of tape hiss to help prevent samples going to complete silence. The piano was sampled chromatically -- one key at a time -- exposing delightful variances in timbre with each key. This was the only way to get a true representation of the instrument. The piano was meticulously sampled by hand, with careful consideration for what works best with a sampled piano, all throughout the recording session itself and at every stage of production thereafter. We sincerely hope you enjoy this piano as much as we do. PIANO SPECS: |