<<<返回首页

支持系统：Windows.MAC

音源厂商：https://www.sonusparadisi.cz/en/organs/discontinued-organ-models/litomysl-organ-model.html

使用采样器：Hauptwerk Virtual Pipe Organ 加载

文件大小：8.5GB

利托米什尔是东波西米亚地区一座美丽的小镇，几乎与摩拉维亚接壤。它因捷克最杰出的作曲家之一——贝德日赫·斯美塔那（1824-1884）的诞生地而闻名。尽管他是一位著名的钢琴家、歌剧和管弦乐作曲家，但他也留下了几部小型管风琴作品（6首前奏曲、1首赋格曲和1首众赞歌）。

如果谈论更久远的历史，它以其文艺复兴时期的城堡而闻名，城堡内原有的巴洛克式剧院至今仍保留并仍在运营。每年，这里都会举办名为"利托米什尔斯美塔诺夫"的夏季音乐节。

圣十字教堂内的管风琴
人们对早期圣十字教堂内的管风琴知之甚少。有一架由弗朗蒂谢克·帕维尔·霍拉克（František Pavel Horák，1723-1822）于1780年制作的晚期巴洛克风格管风琴。它有两个键盘和一个踏板，共有22个音栓。

后来，它于1902年由约瑟夫·科布尔勒（Josef Kobrle，1851-1919）彻底重建。这架古老的管风琴以其纯粹的巴洛克风格，似乎与20世纪初的时尚格格不入。科布尔勒的这架管风琴带有当时流行的"浪漫"风格或交响风格管风琴的标志性特征。它与之前的管风琴一样，也有两个键盘，共有22个音栓，但原本绚丽的音色和高音混合被各种低音音栓所取代：长笛、弦乐和簧片。

一百年后，我们评价管风琴品质的方式再次发生了改变。如今，我们欣赏巴洛克音乐的辉煌，欣赏WerkPrinzip体系的逻辑，但同时又不想失去浪漫主义音域的多样性。因此，许多管风琴制造商倾向于制造音域丰富的大型管风琴，以满足所有音乐风格的需求。虽然风格的纯粹性有所丧失，但"通用"管风琴的优势似乎依然存在。

为此，弗拉基米尔·格里加尔（他的公司以其精湛的工艺享誉世界）在圣十字教堂建造了一架全新的管风琴。这项工作直到2001年才完成。这架新管风琴拥有4个键盘和51个音域（不包括联轴器和其他辅助装置）。

Litomysl is a beautiful town in Eastern Bohemia, practically on the border with Moravia. It is widely known as the birthplace of one of the most outstanding Czech composers: Bedřich Smetana (1824-1884). Although he was celebrated as a pianist and composer of opera and orchestral music, he also left several smaller works for organ (6 preludes, 1 fugue, 1 chorale).

If we talk about more distant history, it is famous for its Renaissance castle, where the original Baroque theatre has been preserved and still functions. Every year, a summer festival called "Smetanová Litomyšl" takes place there.

Organ in the Church of the Holy Cross
Little is known about the organs in the Church of the Holy Cross in those early times. There was a late Baroque instrument by František Pavel Horák (1723-1822), built in 1780. It had two manuals and a pedal with a total of 22 registers.

Later it was completely rebuilt in 1902 by Josef Kobrle (1851-1919). The old organ, in its pure Baroque style, seemed out of step with the fashion of the early 20th century. Kobrle's instrument bore the hallmarks of the "romantic" or symphonic organ that was in demand at the time. It also had 2 manuals with 22 registers, like the previous instrument, but the brilliant aliquots and high mixtures were replaced by registers with lower sounds in a variety of colors: flute, strings, reeds.

A hundred years later, the way we evaluate the quality of an organ has changed again. We now admire the brilliance of the baroque sound, we like the logic of the WerkPrinzip hierarchy, but at the same time we do not want to lose the variety of romantic registers of color. Therefore, many organ manufacturers tend to prefer large organs with a large variety of registers to meet the needs of all musical styles. Well, the purity of style is lost, but the advantages of the "universal" organ seem to prevail.

With this in mind, Vladimir Grygar (whose company is well known in many countries around the world for its craftsmanship) built a completely new organ in the Church of the Holy Cross. The work was completed only in 2001. The new instrument has 4 manuals and 51 registers (not counting the couplings and other assistants).