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支持系统：Windows.MAC

音源厂商：https://www.pianobook.co.uk/packs/the-experience-new-york-ss-model-b/

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：4.7GB

施坦威著名的半音乐会三角钢琴，拥有Performance和VR/Ambisonic视角，现在更添共鸣建模。祝大家2022节日快乐！体验系列的最新成员是纽约S&S B型钢琴，也称为纽约施坦威B型半音乐会三角钢琴。施坦威B型钢琴实际上自1878年就已问世，但此后经历了多次升级和迭代。其中一项创新是"高音钟"，它通过加固音板顶部，帮助保持高音部分的强劲。这架7英尺长的三角钢琴是我朋友最近买的，状态完美。

技术细节：我使用与法吉奥里F308和雅马哈S6类似的技术录制了这架钢琴。这样，您就可以真正地将这些宏伟的乐器进行同类比较。这次，我编码了共振音效来增强乐器的音色，甚至用我自己录制的泛音录音模拟了钢琴的泛音。我还添加了踏板噪音，增强了真实感。

* 使用 12 个麦克风振膜实现演奏和 VR/Ambisonic 视角
* 7 个力度层，捕捉钢琴的整个动态范围
* 模拟共振
* Ambisonic VR 路由
* 动作噪音和制音器释放触发器
* 踏板/制音器机械噪音
* 半踏板
* 为每对麦克风制作单独的 SFZ 文件
* 使用 SE8 SDC 和手工打造的 U87 克隆麦克风录制演奏视角。
* Ambisonic VR 视角使用手工打造的六振膜阵列录制，专为演奏者位置的 Ambisonic 渲染而设计。

每次我采样一架新钢琴时，我都会抓住机会添加一两个新功能。这次，我们加入了可调节的共振和踏板/制音器音色。共振是真正区分原声钢琴和采样乐器的关键。真正的钢琴会在多根琴弦被敲击且未施加制音的情况下触发泛音。这会产生无限的互动，这些互动无法采样，因此必须进行数值建模。它还能创造一种轻松超越循环的随机性。弹奏一段不带踏板的和弦，然后上下调节"共振"滑块，就能明白我的意思了。注意：遗憾的是，"共振"功能仅适用于 Kontakt 版本的乐器。

有关其他功能的更详细描述，请参阅之前的乐器，例如 Fazioli F308 和 Yamaha S6——尤其如果您对 Am​​bisonic/VR 视角设置感兴趣的话。一如既往，特别感谢我的 Beta 测试人员。

Steinway's famous semi concert grand with Performance and VR/Ambisonic perspectives - now with sympathetic resonance modeling. Happy Holidays 2022 everyone! The latest addition to The Experience series is the NY S&S Model B, also known as the New York Steinway Model B semi-concert grand piano. Steinway B's have actually been around since 1878, but have had many upgrades and iterations since then. One such innovation is the "treble bell" which helps keep the treble section strong by reinforcing the soundboard crown. This 7 foot grand was a recent purchase by a friend of mine, and it was in impeccable shape.

Technical Stuff: I've recorded this piano using a similar technique as the Fazioli F308 and Yamaha S6. This way, you can truly compare these magnificent instruments in an apples to apples comparison. This time, I've coded sympathetic resonances to augment the tone of the instrument, and even simulated the exact piano's overtones using recordings of those overtones that I made myself. I've also added pedal noise to add to the realism.

* Performance and VR/Ambisonic Perspectives using 12 microphones capsules
* 7 Velocity Layers to capture the entire piano's dynamic range
* Modeled sympathetic resonance
* Ambisonic VR routing
* Action noise AND Damper release triggers
* Pedal/damper mechanical noise
* Half Pedaling
* Separate SFZ files for each microphone pair
* Performance Perspective recorded using SE8 SDC's and hand built U87 clones.
* Ambisonic VR Perspective recorded using hand built six capsule array specially made for the ambisonic rendering in the player position.

Every time I sample a new piano, I take the opportunity to add a new feature or two. This time, there is adjustable sympathetic resonance, and pedal/damper noises. Sympathetic resonance is really what sets a genuine acoustic piano apart from a sampled instrument. A real piano has overtones that are triggered when multiple strings are struck and left undamped. This creates limitless interactions that are impossible to sample and thus must be numerically modeled. It also creates a randomness that easily surpasses round-robins. Play a chord without pedal and turn up/down the Resonance slider to see what I mean. Note: unfortunately, the Resonance only works in the Kontakt version of the instrument.

For a more detailed description of the other features, refer to previous instruments, the Fazioli F308 and Yamaha S6 – especially if you're interested in the Ambisonic/VR perspective setup. As always, special thanks to my beta testers.