<<<返回首页

支持系统：Windows.MAC

音源厂商：https://www.pianobook.co.uk/packs/the-experience-yamaha-s6/

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：5.1GB

雅马哈手工打造的半音乐会三角钢琴，以 7 个力度层录制，并带有 Performance 和 Ambisonic/VR 视角。

作为 The Experience 系列的新成员，雅马哈 S6 是一款手工打造的钢琴，长 7 英尺。这款经典款雅马哈钢琴因其在混音中精准切入的能力而备受追捧，而收购博森朵夫的技术也为新款雅马哈钢琴带来了略微不同的特质。

技术细节：
* 使用 12 个麦克风拾音头录制 Performance 和 Ambisonic 视角
* 7 个力度层，捕捉钢琴的整个动态范围
* Ambisonic VR 路由
* 动作噪音和制音器释放触发器
* 半踏板
* 每对麦克风独立的 SFZ 文件

Performance 视角使用了六个麦克风拾音头。我使用了 K87 型拾音头，以 AB 阵列覆盖琴弦，捕捉音板的辉煌音色。这些麦克风每个都包含两个拾音头，我已将 Kontakt 乐器的指向性调整到可以调节的程度。您可以使用滑块选择心形指向、全指向或两者之间的任意指向。我还在琴槌上方放置了一些 SE8 小振膜麦克风，使其以 ORTF 的方式呈现，这为声音带来了良好的通透感——就像听众听到的声音一样。

Ambisonic Perspective 也使用六个麦克风拾音头来捕捉演奏者的声场，非常适合与 Ambisonic 插件配合使用。这六个麦克风的排列方式与 F308 库相同，并带有电平、向上角度和向下角度 (XY)。请参阅 Fazioli F308 视频，了解使用 IEM 插件套件渲染双耳音频并创建虚拟现实空间的 VR/Ambisonic 设置。我还留下了一份包含基本说明的自述文件。

除了极佳的钢琴音色可供采样外，我还录制并编码了阻尼器的释放。阻尼释放是指琴弦在阻尼器下降并停止振动时发出的声音。由于这个音色库还包含半踏板音色，因此让阻尼器的声音根据力度、音符长度、半踏板等改变音量是一项真正的挑战。动作音色的采样要简单得多，因为它们基本上不会改变音量（或者不需要改变音量）。不妨尝试一下阻尼释放音色，感受它如何让演奏体验更加逼真。

Yamaha's hand built semi concert grand recorded in 7 velocity layers with Performance and Ambisonic/VR perspectives.

A new addition to The Experience series, the Yamaha S6 is a hand built piano that's 7 feet long. Yamaha's of this vintage are soughtafter for their ability to cut through a mix, as the acquisition of Bosendorfer's technology has resulted in a slightly different character in the newer Yamaha pianos.

Technical Stuff:
* Performance and Ambisonic Perspectives using 12 microphones capsules
* 7 Velocity Layers to capture the entire piano's dynamic range
* Ambisonic VR routing
* Action noise AND Damper release triggers
* Half Pedaling
* Separate SFZ files for each microphone pair

Six microphone capsules were used for the Performance Perspective. I used K87 style capsules in an AB array over the strings to capture the brilliance of the soundboard. Each of these mics contain two capsules, and I've arranged the Kontakt instrument such that you can adjust the polar pattern of the microphone. You can choose Cardioid or Omni, or anywhere in between by using the slider. I also positioned some SE8 small diaphragm mics in ORTF over the hammers, and it gives you a nice transparency to the sound – much like a listener would hear.

The Ambisonic Perspective also uses six microphone capsules to capture the player soundspace and is ideally used with Ambisonic plugins. Those six mics were positioned in the same array as the F308 library, with Level, angle up, and angle down (XY). Please refer to the Fazioli F308 videos for the VR/ambisonic setups that use the IEM plugin suite to render binaural audio and create the virtual reality space. I've also left a readme with basic instructions on this as well.

Besides being a superb piano tone to sample, I also recorded and coded the damper releases. Damper releases are the sound the strings make as the dampers come down and stop the vibration. Since this library also includes half pedaling, it was a real challenge to get the damper sounds to change volume according to velocity, note length, halfpedal, etc. Action noises are much more simple to sample because they basically don't change volume (or don't need to). Play around with the Damper releases and discover how realistic it makes the playing experience.