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Sampleson Glassy v1.6.0 数码电钢琴

支持系统:Windows.MAC

音源厂商:https://sampleson.com/glassy-digital-electric-pianos.html

独立安装程序PC + MAC

文件大小:57MB



20 款数码电钢琴音色合一
Glassy 是一款 EP 模块(含打击垫),其灵感源自 80 年代末和 90 年代的经典数码电钢琴音色。Glassy 采用频谱建模技术重现,仅需 35MB 即可提供 20 款录音室品质的数码电钢琴音色。

无需调频,无需采样。采用加法合成方法

Glassy 采用频谱建模技术构建。某种程度上,它与加法合成方法有所关联。我们使用频谱模型重现经典音色并引入全新音色。通过对键盘范围内的泛音进行精细控制,Glassy 拥有出色的泛音控制能力。

产品详情

-数码电钢琴 + 打击垫模块
-包含 20 款原厂 EP 音色
-合唱和移相效果器
-高清可扩展界面
-带滤波器的打击垫生成器
-无需额外购买(例如 Kontakt、UVI 等)或任何其他第三方播放器。
-可直接加载到主流数字音频工作站 (DAW)(Cubase、Logic Pro、GarageBand、Cakewalk、Reaper、BitWig、Nuendo、FLstudio 等)
-包含 Win 32/64 位版本以及 Mac VST/AU/独立版本
-安装后约 35MB。
-无需安装音色库。
-无需在线激活。

实际体验

GLASSY 音频演示

90 年代的经典音色,少不了这些。我们用不同的方法,将它们重新融入到录音室级虚拟乐器中。

大多数数字电钢琴都基于调频 (FM) 和类似加法的合成技术制作。我们使用频谱建模来重现和创造这些独特的音色,并提出一些新的音色。

20 DIGITAL ELECTRIC PIANOS IN ONE
Glassy is an EP module (+ pads) inspired on the lovely Digital Electric Piano sounds from the late '80s and '90s. Recreated by spectral modeling, offering 20 studio-quality Digital Pianos in just 35MB.

NO FM, NO SAMPLES. AN ADDITIVE APPROACH

Glassy was built using spectral modeling. In some way it's related with additive synthesis method. We used spectral models to recreate famous sounds and to introduce new ones. With a detailed control of the harmonics over the keyboard range.

PRODUCT DETAILS

-Digital Electric Piano +pads module
-20 Factory EP Sounds included
-Chorus and Phaser FX
-HD Scalable interface.
-Pad Generator w/filter
-No extra purchases needed (like Kontakt, UVI, etc) or any other 3rd. party player.
-Ready to be loaded into major DAWs (Cubase, Logic Pro, GarageBand, Cakewalk, Reaper, BitWig, Nuendo, FLstudio, etc)
-Win 32/64 bits and Mac VST/AU/Standalone versions included
-About ~35MB installed.
-No library installation required.
-No online activation required.

SEE IT IN ACTION

 

GLASSY AUDIO DEMOS

There's no 90's without these sounds. And we brought them back in a studio-grade virtual instrument, using a different approach.

Most of the Digital Electric Pianos were made upon FM and additive-like synthesis. We used spectral modeling to recreate a create those unique timbres and to propose some new one.


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