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支持系统：Windows.MAC

音源厂商：https://www.spitfireaudio.com/

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：8GB

当你精通一种职业时，为什么要做一个无所不能的人？正是这种情感和原因，我们一直在寻找最敏感、最优美、最响亮、最诚实的钢琴声音。完美的为那些微妙的民谣（想想加里·朱尔斯的"疯狂世界"）那亲密的心呈现线索（想想纽曼的"美国美"）。几年前，当我们进行抽样实验时，我们发现了一个非常美丽的世界，一架直立的钢琴，中间的"练习感觉"或"celeste"踏板接合。

虽然很难发出一个像样的声音（很奇怪大声弹钢琴，发出柔和的声音），但当它响起时，男孩发出了最优美的、朴素但温柔动人的声音。这成了我们的"软钢琴"，作为我们实验室范围的一部分，作为对联合国儿童基金会的一小笔捐款的回报。我们为此得到了许多喝彩。克里斯汀·汉森，几年来一直在努力使这座图书馆的步调保持正常，现在他开始寻找他能找到的完美的"塞莱斯特"踏板钢琴。他的探索在伦敦格雷斯客栈路的佩雷格林钢琴店结束。精细手工制作的立柱和大梁的供应商。

斯皮菲尔在我们位于国王十字的总部围绕这架新钢琴建造了一个房间，这是一个完美的环境，为我们的"生产商组合"系列录制乐器-致力于为制作人、歌曲作者和作曲家提供未经处理的原始乐器，在一个中立的空间，让他们自己制作。这架钢琴由水星奖提名者Gwilym Simcock演奏，并通过Neve Pre Amps和Cranesong Ad Converters以96K的速度录制了Joe Rubel和Spitfir快速团队在多个角度使用了许多精密麦克风。从单音板麦克风的几乎复古的声音到T的优美自然环绕声。他自己住。大多数Celeste踏板只允许一个动态层，但这架钢琴比其他更灵敏，所以我们不仅记录了几轮知更鸟，我们记录了两个动态层，释放触发器和循环踏板阻尼和释放。

Why be a jack of all trades when you can master one? It is with this sentiment and reason that we have been searching for the most sensitive, beautiful, sonorous, honest piano sound. Perfect for those delicate ballads (think Gary Jules' "Mad World"), that intimate heart presenting cues (think Newman's "American Beauty"). A few years ago, while doing sampling experiments, we discovered a very beautiful world with an upright piano with the middle "Practice Feel" or "Celeste" pedal engaged.

Although it was difficult to make a decent sound (it was strange to play the piano loudly and make a soft sound), when it did, boy did it produce the most beautiful, plain but tender and moving sound. This became our "soft piano" as part of our laboratory range, in return for a small donation to UNICEF. We received many plaudits for this. Christian Hansen, who had been trying to keep this library in step for several years, now set out to find the perfect "Celeste" pedal piano he could find. His quest ended at Peregrine's Piano Shop on Grays Inn Road, London. Supplier of finely handcrafted uprights and girders.

Spitfir built a room around this new piano at our headquarters in Kings Cross, a perfect environment to record instruments for our 'Producer Portfolio' series - dedicated to providing producers, songwriters and composers with raw, unprocessed instruments in a neutral space to make their own. The piano was played by Mercury Prize nominee Gwilym Simcock and recorded at 96K via Neve Pre Amps and Cranesong AD Converters Joe Rubel and the Spitfir Fast team used a number of precision microphones at multiple angles. From the almost vintage sound of a single tone board mic to the beautiful natural surround sound of the T. He Live By Himself. Most Celeste pedals only allow for one dynamic layer, but this piano is more sensitive than others so not only did we record a few rounds of the robin, we recorded two dynamic layers, releasing the trigger and looping the pedal damping and release.