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支持系统：Windows.MAC

音源厂商：https://midiwood.com/free-piano-landing/

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：4GB

细节闪耀的采样

那架古老的家族钢琴。2020年3月16日，母亲去世后，我想起它。六个月前，她被诊断出患有手性手语（ASL）。那天晚上，她躺在床上，无法说话，呼吸困难。呼吸机将氧气输送到她衰竭的肺部，发出嘶嘶声和噗噗声。它轻柔而有节奏的起伏，令人心神宁静。钢琴就在她身边，我想为她弹奏几首曲子，但不知何故，我就是弹不出来。

后来我真希望自己当时能做到。

这架1913年的钢琴也显得有些老旧了。它的框架已经破裂，但调音依然准确。在母亲去世后的几个月里，采样这架钢琴的想法开始萦绕在我的心头。我想在它消失很久之后还能记住它的声音。直到后来我才意识到，这是我的宣泄。
Midiwood Bluthner Style 6 v1.3 Lite Edition Kontakt [免费] 截图
我采样了五个力度层中的每个音符，踩下踏板、踩下踏板，然后再踩下软踏板。有两个麦克风位置，每个位置使用三个麦克风。

外侧（麦克风旋钮最左侧）的麦克风用于宽广的立体声，SE3300 用于单声道补声，放置在键盘正上方，几乎位于琴槌内侧，键盘盖已取下。这是试图捕捉我记忆中钢琴的声音。

内侧（麦克风旋钮最右侧）的麦克风位于 XY 方向，使用两个 AKG C414 麦克风。TUL F47 以开普敦 Tully McCullagh 制造的 Neumann U47 FET 为原型，用作单声道补声。内侧麦克风的立体声场更近，但音色清晰动感，与外侧阵列相得益彰。

Blüthner Style 6 的图形用户界面简洁优雅。
三个主旋钮分别控制琴键和踏板的噪音、麦克风位置和动态。

混响和延迟主旋钮控制混音中的混响和延迟量。

柔音踏板按钮可切换柔音踏板的开启和关闭。柔音踏板或单弦踏板（Una Corda）可赋予音符柔和的音色，令人难以忘怀。

SAMPLED IN SHIMMERING DETAIL

The old family piano. It comes to me now after the passing of my mother on March 16th 2020. She was diagnosed with ASL 6 months earlier. On that night she is in her bed, unable to speak, struggling for air. A ventilator, pressing oxygen to her failing lungs, hisses and puffs. Its soft timely heaving, devastatingly peaceful. The Piano is right next to her and I want to play something for her but somehow I just can't.

Later I wish I had given myself to that.

This 1913 piano is also showing its age. It has a cracked frame but still holds it's tuning. In the months after her passing the idea of sampling this piano begins to obsess in me. I want to remember its sound long after it is gone. It is only later that I realise, this is my catharsis.
Midiwood Bluthner Style 6 v1.3 Lite Edition Kontakt [FREE] screenshot
I have samples every note in five velocity layers, pedal up and pedal down and all of it again with the soft pedal engaged. There are two mic positions utilising three mics each.

Outside (far left on the mic dial) was recorded with two PDA 4001's for wide stereo and an SE3300 for mono fill placed just above the keyboard almost inside the hammers with the keyboard lid removed. This is an attempt to try capture the sound of the piano as I remember it.

Inside (far right on the mic dial) was receded with two AKG C414's in XY with a The TUL F47 is modelled on the Neumann U47 FET built by Tully McCullagh in Cape Town as mono fill. The inside mics have a much closer stereo field but a beautiful clear attack which compliments the outside array.

The Blüthner Style 6 GUI is simply elegant
Three main knobs control key and pedal noise, mic position and dynamics respectively.

The reverb and delay master knobs control the amount of reverb and delay in your mix.

The Soft Pedal button switches between Soft Pedal on or off. The Soft pedal or Una Corda (One string) gives a muted felt tone to the notes and is hauntingly quiet.