取样仪器
52和弦：
中提琴、中提琴、大提琴和贝斯
12号交响铜管乐器：
图巴、长号、号角和小号
12木风：
低音提琴、单簧管、双簧管、长笛和短笛
8打击乐手：
大鼓，交响打击乐
24合唱团歌手：
Soprani、Alti、Tenori和Bassi
与Grosso合作，Sonodynamic BV正在改变管弦乐短语乐器的范式……再一次！在我们的Minimal图书馆之前，在保留现场录音为聚会带来的真实声音的同时，这种控制水平是闻所未闻的。我们在Minimal上得到了如此多的积极反馈，以至于"续集"是不可避免的。不过，我们在Sonobiotic所做的不仅仅是续集，所以如果你看看格罗索带来的东西，你会看到一个进化的实体，从Minimal的直立人到智人。
我们从头开始构思了这款乐器，使用了Minimal引擎的部件，并重新构想了许多其他东西，以适应Grosso带来的额外灵活性。除了录音材料明显乐观的性质以及增加了合唱团部分、太极和非旋律打击乐部分外，主要的区别在于我们将管弦乐部分分成了更多的部分。弦乐和合唱分为低-中-高，木管乐器和铜管乐器分为低和高，打击乐器分为太极和更传统的管弦乐打击乐器。所有这些元素都经过精心组合，与其他所有元素配合得很好，从而产生了数百万种可能的声音组合。
这种原材料的性质和数量，以及我们需要以直观的方式为您提供的额外灵活性，使我们采用了一种全新的界面风格，并将仪器拆分为不同的Kontakt.nki。不过别担心，我们以一种仍然可以在一个midi通道上与整个管弦乐队一起演奏这种乐器"极简风格"的方式布置了琴键开关。
Sampled Instruments
52 Symphonic Strings :
Violins, Violas, Celli and Bassi
12 Symphonic Brass:
Tuba, Trombones, Horns and Trumpets
12 Woodwinds:
Bassoons, Clarinets, Oboes, Flutes and Piccolos
8 Percussionists:
Taiko, Symphonic Percussion
24 Choir Singers:
Soprani, Alti, Tenori and Bassi
With Grosso, Sonokinetic BV is changing the paradigm for orchestral phrase-based instruments… again! Before our Minimal library, the level of control, whilst retaining the authentic sound that live recordings bring to the party, was unheard of. We have gotten so much positive feedback on Minimal that a 'sequel' was unavoidable. Mere sequels is not what we do though at Sonokinetic, so if you look at what Grosso brings to the table, you will see an evolved entity that is a homo-sapiens to Minimal's homo-erectus.
We have conceived this instrument from the ground up, using parts of the Minimal engine and reimagining many other things to accommodate for the added flexibility Grosso brings to the table. The main difference, apart from the obviously upbeat nature of the recorded material and the addition of a choir part and a taiko and non-melodic percussion section, is that we split out the orchestral sections into more parts. Strings and choir are split in low - mid - high, woodwinds and brass into low and high, percussion into taiko and more traditional orchestral percussion. All of these elements have been carefully composed to work well with all of the others, resulting in millions of possible combinations of sounds.
The nature and sheer amount of this raw material, and the added flexibility we needed to offer to you in an intuitive way, led us to a completely new interface style, and it made us split up the instrument into different Kontakt .nki's. Don't worry though, we have laid out the keyswitches in a way that still makes it possible to play this instrument 'Minimal-style' with the whole orchestra on one midi channel. |
