关于 Spitfire Audio BML 低音铜管乐器库
Spitfire 汇聚了众多屡获殊荣的成功作曲家，在本库中，他们精心挑选了一系列重要的演奏技巧和技巧，为您提供演奏这件温暖、深沉、有时甚至略带粗犷的铜管乐器所需的一切。多年来，作曲家们走遍世界各地，与他们才华横溢的铜管乐手们合作。库中的大号由现场演奏的顶级大号演奏家演奏。
辛巴西长号和低音长号虽然在音乐会音乐中较为少见，但它们凭借其令人难以置信的尖锐和低沉的音色，已成为大片制作人的最爱。因此，本库不仅展现了这些低音乐器美妙的巧克力色音色，而且，如果您需要的是狂野的音色，这里也是您的最佳选择！
Tuba Cimbassi & CB Bone
一群伦敦顶尖的低音铜管乐手。他们演奏Tuba、Solo Cimbasso、Cimbasso Ensemble以及稀世的Contra Bass长号。录音棚Air Studios的录音棚录音室，为您的编曲增添独特的震撼！
背景
Tuba
一种宽口径的活塞铜管乐器，在管弦乐队中担任低音或低音提琴。它通常因其短促的音色而被用来营造喜剧效果，却常常被人们遗忘它那如巧克力般美妙的音色。如果将其编入由Tuba、次中音号和圆号组成的合唱团，将会呈现出一种催人泪下的美感。在合适的人手中（比如Spitfire Audio的Owen Slade！），它们可以展现出令人难以置信的抒情，但在最低音域和最高动态水平下，它们又会呈现出怪诞而令人毛骨悚然的音色！
倍低音长号
瓦格纳·施特劳斯和勋伯格等作曲家都曾对这种乐器进行过深入的演奏，然而，同为作曲家的塞缪尔·阿德勒在其著作《管弦乐研究》中却轻率地评论道："由于倍低音长号对演奏者来说负担太重，Spitfire Audio 建议不要为它谱曲……"真是的！伦敦不乏优秀的演奏家，而他们的藏品库里汇集了最优秀的演奏家。
CB 长号，顾名思义，属于长号家族；它是一种铜唇簧片气鸣乐器，带有圆柱形内孔，并配有我们熟悉的伸缩滑管。不过需要注意的是，虽然 Spitfire Audio 已经循环播放了这些采样，但在创作响亮的低音部分时要小心。在这种情况下，能听到半小节的持续音就算幸运了。
Cimbasso
1881 年，G.C.应威尔第的要求，佩利蒂创作了一种新的低音铜管乐器——"威尔第低音长号"。威尔第在随后的歌剧《奥赛罗》和《法尔斯塔夫》中都为这件乐器谱曲，此后，它被大多数意大利管弦乐团采用。它在20世纪逐渐销声匿迹（管弦乐团选择将这些声部交给大号演奏），但最近又重新焕发活力，尤其是在电影配乐领域。它是一种带阀门的乐器，外形类似于经过有效"瘦身"的大号。虽然它的音域很低，但其更细的管径并没有像大号那样提供浓郁的低频。但Spitfire Audio对Cimbasso的追求并非如此，因为这件乐器的真正特质在于它的高音动态和Cuivre风格的演奏。因为这其中蕴含着一种仿佛直接从海罗涅米斯·博斯的画作中迸发出来的声音。
Cimbasso A2？
与上图相同，但由两位不同的演奏者同时演奏。将这两个音色组合在一起，您就拥有了三个威尔第长号低音！
功能
这是一个深度采样的音色库，包含由屡获殊荣的作曲家和音乐家精心挑选的一系列重要演奏技巧。从长音到短音，再到尖锐的Rip和Drop音色，应有尽有。该音色库具有多个循环、动态叠加以及易于使用且功能齐全的连奏功能，并带有颤音控制。音色库提供了众多麦克风位置，您不仅可以进行混音以适应您正在进行的应用程序，还可以进行自动化操作，以实现焦点和深度的显著变化。
Spitfire Audio还特别委托了Jake Jackson为每个采样制作了3个独家混音，以节省您的时间和系统资源。这些混音经过特别设计，适用于从流行音乐到室内乐再到史诗电影的各种应用。通过在BML系列中使用这些混音，您可以像Jake一样，实现完整的混音完整性！
图形用户界面
概览面板
让您快速轻松地访问、查看和加载不同的演奏技巧、麦克风混音和基本控制器功能，然后您可以根据自己的工作流程重新分配这些功能。
常规控制面板
一个更深层次但仍然简洁的用户界面面板，允许您调整常规设置。您可以设置循环次数以及它们的行为方式。您希望如何组织内存、音高选项以及力度的运作方式。
About Spitfire Audio BML Low Brass Library
Spitfire is a collective of successful award winning composers and in this volume they have personally curated a selection of essential articulations and techniques to give you everything you would need to get up and running with this warmest deepest and at times brashest of brass instruments. Composers have been travelling the world over for many years now to work with their rich and talented population of brass players. The tuba found here is played by the first-call Tuba player on the session scene.
• 46230 Samples
• 53.7GB Uncompressed .WAV
• 29.4GB Disk Space Required
• 58.8GB Disk Space Required During Install
The cimbassi and contrabass trombone though rarer in concert music, have become favorites of blockbuster producers, for their incredible bite and growl. So this library caters to the beautiful chocolatey tones of these low instruments but also, if it is rage you require there are no better exponents!
Tuba Cimbassi & CB Bone
A group of London's finest low-end brass players. Tuba, Solo Cimbasso, Cimbasso Ensemble and the rarified Contra Bass Trombone. Recorded in the hall at Air studios to give your arrangements a unique thunder!
Background
The Tuba
A wide bore valved brass instrument used as a bass or contrabass member of an orchestra. Often used as a comedy effect for it's short farty parps, it is often forgotten what a beautiful chocolatey tone it can give. Arranging for a choir of tuba, euphoniums and horns would provide a seemless onslaught of tear inducing beauty. In the right hands (and in Owen Slade here, Spitfire Audio certainly are!) they can be incredibly lyrical but also, at the lowest part of their register and upper dynamic levels, monstrous and utterly terrifying!
The Contrabass Trombone
Wagner Strauss and Schoenberg are some composers who put this instrument through its paces, however, the eponimous Samuel Adler in his book "The Study Of Orchestration" rather flippantly remarked "Since the contrabass trombone taxes the performer so greatly, Spitfire Audio advise not to write for the instrument..." Pah to that! London has a handful of fine players and in this library they have the finest.
So the CB Trombone is as the name would suggest, part of the trombone family; a brass lipped reed aerophone with a cylindrical bore featuring the familiar telescopic slide. Be warned though, whilst Spitfire Audio have looped the samples here be wary when writing loud lower parts. You'd be lucky to get half a bar of sustained notes in these conditions.
The Cimbasso
In 1881 G.C. Pelitti created at Verdi's request a new low brass instrument, the "trombone basso Verdi". Verdi scored for this instrument in subsequent operas, Otello and Falstaff, thereafter it was adopted by most Italian orchestras. It slipped into obscurity in the 20th century (orchestras opting to pass these parts onto the Tuba) but has seen a recent revivial, especially in the realm of film scores. It is a valved instrument with the appearance of a tuba that has been on a very effective diet. Whilst it's range is quite low it's finer bore doesn't offer as much chocolatey bottom end that the Tuba does. But it's not this that Spitfire Audio are looking for with a Cimbasso, for the real character of the instrument is in it's upper dynamics and Cuivre style of playing. For therein lies a sound that could have sprung straight out of a Hyronemous Bosch painting.
Cimbasso A2?
As above but with 2 two different players playing at the same time. Combine the two patches and you have three Verdi trombone bassos!
Function
This is a deeply sampled library with a selection of essential articulations curated by multi award winning composers and musicians. From longs to shorts to screaming rips and drops. The library features multiple round robins, dynamic layers and easily usable fully functional legato with control of vibrato. The library is presented with numerous microphone positions which you can not only mix and blend to fit the application you're working on, but also automate for dramatic shifts in focus and depth.
Spitfire Audio have also specially commissioned 3 exclusive Jake Jackson mixes of every sample to save you time and system resources. These mixes are specially designed to work in different applications from pop to chamber to epic cinematic and by using these mixes across the BML range you can achieve total mix integrity, just as Jake would do it!
GUIS
The Overview Panel
Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.
General Controls Panel
A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organized alongside pitch options and how velocity works.
The Ostinatum
Quite simply a little inspiration machine. Not q |
