管弦乐伴奏铜管乐
当您需要在项目中加入真正的铜管乐，以营造"恰到好处"的音质时，只有真正的铜管乐才能满足您的需求。即使是最用心的创作，人造的声音和不够真实的细节也会毁掉它。这就像一位历史爱好者在观看一战电影时，看到背景壁炉架上挂着一个20世纪60年代的钟。可信度被彻底摧毁，制作也毁于一旦。
机会只有一次。千万不要错过。
这就是我们创作管弦乐伴奏铜管乐的认真态度。
SONiVOX 设计团队已制作了 80 多套优秀的铜管乐程序，每套都经过精心设计，力求提供尽可能精准、令人信服的体验。这就是您的需求，所以我们也做到了。
我们不仅拥有完整的管弦乐铜管乐合奏库，还拥有一系列小型铜管乐子组。此外，我们还为您提供丰富的独奏乐器选择。所有主流乐器均在此收录，包括独奏小号、长号、低音长号、圆号和大号。双吐和颤音、延音和断音，以及弱音、渐强、强音和强音，为您提供创作令人信服的铜管乐声部和音轨所需的丰富内容。
然而，SONiVOX 管弦乐伴侣铜管乐器真正区别于其他同类产品之处在于：
我们不遗余力地寻找演奏音色最佳乐器的最佳音乐家，并采取必要措施，以尽可能逼真的方式准确录制。我们关注每一个细节——一丝不苟，一丝不苟。
这一切都是因为我们知道，您不会接受在您的作品中出现不真实的铜管乐音色，就像您不会接受在1914年代的电影中出现20世纪60年代的钟声一样。
如果您感兴趣（我们知道您感兴趣，因为这就是您对音乐的用心和专注），以下是技术细节：
世界级音乐家；顶级乐器
我们在马萨诸塞州传奇的Futura Productions录音室录制了《管弦乐伴侣铜管乐》。波士顿流行乐团和/或波士顿芭蕾舞团的成员演奏了所有演出，他们使用的顶级乐器与他们实际在音乐会和活动中使用的一样。现场拾音和环境拾音相结合，捕捉了每一个乐器的细微差别，同时保留了演出空间本身精致的音响效果和私密感。
尖端采样环节
在 SONiVOX 音乐鉴赏家 Jennifer Hruska 的专业指导下，艾美奖获奖工程师 Antonio Oliart 和美国唱片业协会 (RIAA) 获奖工程师 John Bono 忠实录制了每场采样环节。演奏者采用符合管弦乐演奏标准的座位安排，甚至还采取措施弥补当天缺席演奏者带来的吸音效果。为了保留逼真的"自然"音质，我们极少使用后期录音电子处理。我们使用两支 B&K 4011 麦克风来保留观众最需要的"前厅"音质（也就是"好座位"），同时使用高级点播麦克风精准捕捉每件乐器的细微细节。标杆级前置放大器为 Troisi 八路 A/D 转换器供电，从而形成完整的信号链。
我们为这套系统投入的精力和心血比大多数狂热的音响发烧友在他们自己的系统上投入的还要多，但这对我们来说非常重要……因为它对您来说也同样重要。
可演奏程序
几乎每个音色和预设都能轻松演奏，适合所有水平的演奏者。所有乐器均以多力度层级呈现，并通过调制轮提供自然的渐强效果。MIDI 键切换功能可为选定音色提供即时的清晰度。内置声音引擎提供额外的调制 (LFO) 源、动态包络控制以及录音棚级混响/效果器，让您可以对内置音色进行创意定制。
插件兼容性
此外，Orchestral Companion Brass 作为插件运行，可与 ProTools 10.3 或更高版本数字音频工作站 (DAW) 软件的任何 VST（32 位或 64 位）、AU（64 位）和 AAX（32 位或 64 位）完全兼容。
功能
世界顶级铜管乐器音色的顶级捕捉
24 位双力度音色，带来富有表现力的质感
超过 5 GB 的数据内容
80 多个音色，涵盖铜管合奏、乐器组和独奏乐器
完整的铜管合奏；铜管乐器组
独奏小号、长号、低音长号、圆号和大号
丰富的演奏法、动态和静音乐器
16 个音色，可通过 MIDI 键进行完整的演奏法切换
内置 FX、LFO 和包络，带来无限的创作自由
32 位和 64 位；VST、AU、RTAS 和 AAX
Orchestral Companion Brass
When you need to add real brass to your project for that "just so" feel, nothing less than the real thing will do. Artificial sounds and less-than-authentic details will sabotage even the best-intentioned efforts. It's like a history buff watching a movie about World War I and seeing a 1960's-era clock on the fireplace mantel in the background. The credibility is shot and the production is ruined.
You only get one chance. Don't blow it.
That's the seriousness with which we took the creation of Orchestral Companion Brass.
The SONiVOX design team has produced over 80 outstanding brass programs, each one meticulously crafted to deliver as accurate and convincing an experience as possible. That's what you demand, so that's what we did.
There is a comprehensive collection of full orchestral brass ensembles, and also a full array of smaller brass sub-groups. In addition, we provide you with a complete selection of solo instruments. All the major instruments are here, including solo trumpets, trombones, bass trombones, French horns, and tuba. Double and flutter tonguing, sustained and staccato notes, plus instrument mutes, swells, sforzando, and marcato voicing provide you with the depth of content you need for convincing brass parts and tracks.
However, what really sets the SONiVOX Orchestral Companion Brass apart from other seemingly similar products is this:
We spared no effort or expense in seeking out the best musicians playing the best-sounding instruments, and we took the necessary steps to record them correctly in the most lifelike manner possible. We paid attention to every detail—we crossed every 't' and dotted every 'i.'
All because we knew you wouldn't accept inauthentic brass sounds in your production any more than you'd accept a 1960's clock in your 1914-era movie.
In case you're interested (and we know you are, because that's the care and attention you pay to your music), here are the technical details:
World-Class Musicians; Top-Tier instruments
We recorded the Orchestral Companion Brass in the legendary Futura Productions studios in Massachusetts. Members of the Boston Pops and/or Boston Ballet Orchestras played all performances, with the same premium instruments they use for their actual concert galas and events. A combination of spot and ambient mic'ing capture every instrumental nuance, while preserving the refined acoustics and intimacy of the performance space itself.
State-of-the-Art Sampling Sessions
Under the expert guidance of SONiVOX musical sound connoisseur Jennifer Hruska, each sample session was faithfully recorded by Emmy award-winning engineers Antonio Oliart and RIAA award-winning engineer John Bono. The players were positioned using orchestrally-correct seating, and measures were even taken to compensate for the sound-absorption of any players absent on that particular day. In order to retain a realistic "organic" feel, we used absolutely minimal post-recording electronic processing. We used two B&K 4011 microphones to preserve the highly-desired front-of-hall sound (you know, the "good seats"), while superior-grade spot mics accurately captured each instrument's individual detail. Benchmark-caliber preamps fed Troisi Octal A/D convertors to complete an uncorrupted signal chain.
We expended more effort and care on this system than most crazed get-a-life audiophiles do on their own systems, but that's how important it was to us...because that's how important it is to you.
Playable Programs
Each patch and preset is easily playable by virtually every level of performer. All instruments are presented in multi-velocity layers, with natural swells available via the modulation wheel. MIDI key switching provides on-the-fly articulation for select patches. The internal sound engine provides additional modulation (LFO) sources, dynamic envelope control, and studio-grade reverb/effects to allow creative customization of the onboard sounds.
Plug-In Proficiency
In addition, Orchestral Companion Brass runs as a fully compatible plug-in with any VST (32 or 64 bit), AU (64 bit) , and AAX (32 or 64 bit) for ProTools 10.3 or higher Digital Audio Workstation (DAW) software.
Features
State-of-the-art captures of world-class brass instruments
24-bit, dual velocity patches provide expressive textures
Over 5 GB of data content
80+ patches covering brass ensembles, sectionals & solo instruments
Full Brass Ensembles; Brass Sections
Solo Trumpet, Trombone, Bass Trombone, French Horn, and Tuba
Diverse articulations, dynamics, and muted instruments
16 patches with full articulation switching using MIDI keys
Internal FX, LFOs, and envelopes for unlimited creative freedom
32 & 64-bit; VST, AU, RTAS, and AAX
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