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支持系统：Windows.MAC

音源厂商：https://audiobro.com/

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：5.4GB

我们荣幸地宣布推出 LASS Legato Sordino 2.5（LASS LS 2.5）。LASS LS 2.5 是一个附加弦乐库，它继承了原版 LASS FULL 2.5 的 sordino 弦乐（弱音弦乐）的精髓。现在，您可以获得丝滑如丝的 sordino 音色，并拥有连奏、滑音和滑音的表现力，这正是情感乐谱中备受追捧的音色。

此外，无论是否使用 ARC，LASS LS 都能通过前面板上的"颜色"下拉菜单，呈现一些令人垂涎的电影配乐和管弦乐录音；或者，您也可以使用 LASS Full 2.5 自带的 ARC 来选择颜色。我们的 Batman Cries Sordino Multi 就是一个完美的例子。点击此处了解更多关于 LASS Full 2.5 中包含的 ARC 以及 Stage and Color 的信息。

LASS LS 简介 — 一段 LASS LS 入门视频，其中包含每个部分的音乐示例。

穿越迷雾 — 一段 LASS LS 的电影风格音频演示。

LASS LS 拥有分谱功能，不仅能让您使用 LASS 的所有分谱功能，还能将索尔迪诺音色与 LASS Full 的标准连奏弦乐叠加，从而获得当今电影配乐中流行的索尔迪诺/非索尔迪诺混合音色——不妨听听混合音色示例：The Calm After。

与兄弟版本 LASS Full 一样，LASS LS 革命性音色的核心在于 Real Legato 演奏采样音色和独特的"分层合奏"方法。这些合奏均在大型电影配乐工作室中单独录制。由于它们由不同的演奏者组成（避免了令人讨厌的"同一演奏者"音色），因此它们能够无缝衔接，以合适的分谱比例，创作出完全连贯的小型、中型或大型乐段。 100% Legato Sordino – 仅使用 LASS LS 的音乐示例视频。

概述
LA Scoring LS 2.0（LASS LS 2）为您带来一整套全新工具，将采样弦乐的表现力、真实感、实时演奏性和可编程性提升到全新水平。

除了将我们全新的"舞台与色彩*"功能融入所有 LASS LS 2 音色库（让 LASS Full 2 用户可以轻松让 LASS LS 2 的声音听起来像著名的管弦乐录音和电影配乐）之外，LASS LS 2.0 还更新了所有演奏脚本，包括自动编曲器、CC 表、真实连奏以及调音/微调。这些功能也已与 LASS Full 2.0 的 ARC（Audiobro 远程控制）* 完全集成。

* 要使用 ARC 的功能（包括舞台和色彩、键控切换器等），您必须拥有 LASS Full 2.0 版本。您可以点击此处了解更多关于 ARC 的信息。

以下是 LASS LS 2.0 部分新功能的列表（您还可以了解 LASS Full 2.0 版本附带的全新 A.R.C.（Audiobro 远程控制）功能）。

全新的微调工具和实时调音性能
CC 衰减旋钮，可实时或事后调整 CC 衰减，从而增强动态控制。
改进的 Real Legato、自动编曲器和 CC 表格脚本。
舞台和色彩支持 – 舞台和色彩的核心是一系列受著名电影配乐和录音启发的独家管弦乐音色配置文件（色彩）。现在，只需按一下按钮，LASS LS 即可采用一些最令人垂涎​​的配乐和录音的音色特征。支持全新 ARC（Audiobro 远程控制）主脚本，可轻松在单个窗口中控制所有乐段和分部。
支持在 ARC 中控制多个音色的混响和宽度
支持在 ARC 中通过 CC Table 控制多个音色
支持在 ARC 中通过 Auto Arranger 控制多个音色
支持在 ARC 中通过全新的 Key Switching 方法控制多个音色
许多其他新功能和改进
（LASS LS 2 可与 LASS Full 2 中的 Stage & Color 功能配合使用）

演奏者在乐谱台上进行原位录音，并以传统的管弦乐队座位视角进行混音，让您轻松获得开箱即用的出色弦乐混音。同时，我们竭尽全力确保乐器的声像位置在任何位置，几乎不会出现任何相位问题。

为了轻松获得最佳音色，所有 LASS 音色和编程从第一把交椅到最终混音都保持一致。如果某个音色部分听起来不错，那么用其他音色处理相同的音序也会听起来不错——无需重新进行 MIDI 编程。其结果是对动态、演奏和乐段大小的前所未有的控制。

LASS LS 是第一个功能齐全的 divisi legato sordino 弦乐库，提供实时复音真实连奏、真实滑音、真实滑奏和自动分谱，并带有 audiobro 的自动编曲功能。LASS LS 还为 LA Scoring Strings 的连奏音色带来了全新的外观和功能。这些音色经过了大幅优化和重新编码，为最终用户提供了更大的灵活性和易用性。除了新的外观和新功能外，还添加了新的样本加载/清除模式。

We are proud to announce LASS Legato Sordino 2.5 (LASS LS 2.5). LASS LS 2.5 is an add-on string library that picks up where the original LASS FULL 2.5 left off with its sordino strings (muted strings). You can now achieve that wonderfully silky sordino sound with all the legato, portamento and glissando expressiveness that is so sought after in emotional scores.

Furthermore, LASS LS can now sound like some of the most coveted film scores and orchestral recordings with or without the ARC by simply accessing a Color drop-down menu on the front panel; or, you can chose Colors using the ARC that comes with LASS Full 2.5. Our Batman Cries Sordino Multi is a perfect example of this. Read more about the ARC and Stage and Color included in LASS Full 2.5 here.

Introduction to LASS LS — An introductory video to LASS LS with musical examples of each section.

Through The Mist — an audio demo of LASS LS in a cinematic style.

With LASS's divisi sections, LASS LS allows you not only all the divisi capabilities of LASS, but it also allows you to layer sordino with LASS Full's standard legato strings to give you that hybrid sordino/non-sordino sound that is so popular in today's film scores — listen to a hybrid example: The Calm After.

Just like its sibling LASS Full, at the heart of LASS LS's revolutionary sound are Real Legato performance sample patches and a unique "layered ensemble" approach. These ensembles were all recorded individually in a large film scoring studio. Because they're made up of different players (avoiding the dreaded "same player" sound), they combine seamlessly to produce entirely cohesive small, medium, or large sections with the right divisi ratios. 100% Legato Sordino – A video of a musical example using only LASS LS.

OVERVIEW
LA Scoring LS 2.0 (LASS LS 2) brings you a whole new set of tools providing a new level of expressiveness, realism, real- time playability and program-ability to sampled strings.

Aside from incorporating our new Stage & Color* feature into all LASS LS 2 patches (providing an easy way for LASS Full 2 owners to have LASS LS 2 sound like famous orchestral recordings and film scores), LASS LS 2.0 has updated all the performance scripts including the Auto Arranger, CC Tables, Real Legato, and the Tuning/Micro Tuning. These features have also been 100% integrated with LASS Full 2.0's ARC (Audiobro Remote Control)*.

* In order to use the ARC's features (which includes Stage and Color, Key Switcher, etc) you must be a LASS Full 2.0 owner. You can learn more about the ARC here.

Below is a partial list of some of LASS LS 2.0's new features (you can also read about LASS's new A.R.C. (Audiobro Remote Control) included when you own LASS Full 2.0).

A new Micro Tuning tool and real-time performance of tuning
A CC Attenuation knob that allows on to ride CC attenuation in real-time or after-the-fact for added dynamic control.
Improved Real Legato, Auto Arranger and CC table scripts.
Stage & Color support – At the heart of Stage & Color is a collection of exclusive orchestral sound profiles (colors) inspired by famous movie scores and recordings. Now, at the push of a button, LASS LS can adopt the tonal characteristics of some of the most coveted scores and recordings. Support for the new ARC (Audiobro Remote Control) master script that will allow for dramatically easier control of all sections and divisis from a single window.
Support for Reverb and width controls of multiple patches from within the ARC
Support for CC Table control of multiple patches from within the ARC
Support for Auto Arranger control of multiple patches from within the ARC
Support for the new Key Switching approach of multiple patches from within the ARC
Many other new features and improvements
(LASS LS 2 works with Stage & Color included with LASS Full 2)

The players are recorded in position on the scoring stage and mixed in the traditional orchestral seating perspective, making it simple to get a magnificent string mix out of the box. Meanwhile we took the utmost care to ensure that the instruments can be panned anywhere with virtually no phasing problems should you need to do that.

To make it easy to get just the right sound, all LASS patches and programming are consistent from the first chair to the full mix. If a part sounds right using one patch, the same sequence will sound right with the other patches. — no MIDI reprogramming required. The result is unprecedented control over dynamics, performance, and section size.

LASS LS is the first fully featured divisi legato sordino string library that offers real-time polyphonic Real Legato, Real Portamento , Real Glissando and Auto Divisi with audiobro's Auto Arranger. LASS LS also brings a new look and functionality to LA Scoring Strings' legato patches. The patches have been greatly optimized and re-coded to allow the end-user greater flexibility and ease of use. In addition to a new skin and new features, a new sample Load/Purge mode has been added to