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支持系统：Windows.MAC

音源厂商：https://www.strezov-sampling.com/products/view/string-contours.html

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：69.7GB

弦乐轮廓
超越传统弦乐采样！弦乐轮廓引领"情境采样"的新方向，在速度和表现力上均有突破。无缝提升音轨音色，无需调整 CC 数据——让演奏承载编程，专注于音乐本身！

什么是轮廓？
轮廓是指一段录制的、具有固定长度和动态形状的演奏。例如，一段由 1 小节渐强引出的渐弱，中间有弓法变化。

弦乐轮廓允许您演奏这些演奏，并无缝切换音符，而无需触发新的演奏。您始终保持原始演奏的动态形状和乐句。这无需任何 Midi CC 编程，即可获得逼真且合适的颤音和动态流畅，从而获得高质量的结果，并由于录音本身的表现力而实现更简约的作曲方式。

不同节奏的不同录音
由于乐句的演奏很大程度上取决于其语境，尤其是在长度和节奏方面，我们希望将这种语境性引入虚拟乐器的世界。

每个音色轮廓都以多种速度（3 种不同的节奏）和形状（4 种不同的动态形状）录制，以保留各个部分现场演奏的语境感，并保持整个音色库的一致性。Kontakt 会根据主机音序器的节奏自动选择正确的样本池，并在节奏变化时进行无缝调整。时间拉伸被保持在绝对最小值，因此几乎听不见。我们花费了大量时间来寻找合适的节奏，这些节奏需要录制才能达到最佳效果。

库中的"Normale Espressivo"音色是一个例外，它们仅以非常快的 140 节奏录制，但仍然与 DAW 主机节奏同步。

Strezov 采样弦乐轮廓 v1.1 KONTAKT 更新截图 适应性
使用弦乐轮廓，您可以根据所选形状的轮廓来改变演奏音符。脚本会根据弓法过程中音符变化的位置和方式，智能地在音符之间添加释放和上下文录制的音符起音，从而实现沿录制形状的平滑过渡。

所有录音均在乐器音域内以及各部分之间保持一致的演奏风格，因此，当它们结合在一起时，您会感受到独特的演奏意图和贯穿整个编曲的统一乐句。

清晰自然的录音
录音仅使用精心挑选的音乐家，他们最符合音色和颤音的审美要求，并使用定制麦克风阵列（共计 3 个不同的麦克风位置）和完全开箱即用的混合信号。音乐厅为中等大小，以获得影院般的音效，同时仍保留尽可能多的细节。

由于此音色库不使用任何动态层或循环音色，您始终可以获得真实的现场录音效果，而无需像往常那样使用堆叠式合奏垫音。用独奏大提琴演奏三音和弦，听起来就像三把大提琴一起演奏。

乐器
- 小提琴组
- 中提琴组
- 大提琴组
- 低音提琴组
- 小提琴独奏
- 大提琴独奏
- 全组合奏

运弓
- 常规运弓
- 抒情常规运弓
- 慢板运弓到常规运弓再到慢板运弓
- 慢板运弓
- 颤音
- 慢板颤音
- 慢板运弓
- 延音叠加（可控制力度），根据上下文录制

动态形状（可通过按键切换）
- 1-1（一小节渐强，一小节渐弱）
- 2-2（两小节渐强，两小节渐弱）
- 1-2（一小节渐强，两小节渐弱）
- 2-1（两小节渐强，一小节渐弱）

更多视频
现已推出：

- 拍号缩放
- 全组合奏音色

STRING CONTOURS
Venture beyond traditional string samples! String Contours is a new trajectory in "contextual sampling". Both in tempo and expression. Elevate the sound of your tracks seamlessly and stop tweaking CC data - let the performances carry the programming, and focus on the music itself!

WHAT IS A CONTOUR?
A contour is a recorded performance with a fixed length and dynamic shape. For example a swell with 1 bar of crescendo leading into 1 bar of diminuendo with a bow change in the middle of it.

String Contours allows you to play these performances and seamlessly change notes without triggering a new performance. You always stay within the initial performance's dynamic shape and phrasing. This leads to a realistic and fitting vibrato as well as dynamic flow without any Midi CC programming allowing high quality results as well as a more minimalistic approach to composing due to the expressiveness of the recordings themselves.

DIFFERENT RECORDINGS FOR DIFFERENT TEMPI
As the performance of a musical phrase is heavily dependent on its context especially in length and tempo we wanted to introduce this contextuality into the world of virtual instruments.

Every contour was recorded at multiple speeds (3 different tempi) and shapes (4 different dynamic shapes) to retain the contextuality of a live performance across the sections along with cosistency across the entire collection. Kontakt automatically picks the correct sample pool based on the tempo of the host sequencer and seamlessly adjusts in case of tempo changes. Timestreching is kept to an absolute minimum, so it's barely audible. A lot of time was spent on finding the right amount of tempi, which needed to be recorded in order to achieve the best results possible.

One exception are the "Normale Espressivo" patches within the library, which were recorded only in very fast tempo 140, but still - those are also synced to the DAW host tempo.

Strezov Sampling String Contours v1.1 KONTAKT Update ONLY screenshotADAPTABILITY
With String Contours you can change the notes of the performance across the contour of the selected shape. The scripting intelligently adds releases and contextually recorded attacks between the notes based on where and how the note change happens during the bow, leading to smooth transitions along the recorded shapes.

The recordings were all done to a consistent performance style within the range of the instrument and between the sections, so that when combined you reach a feeling of singular intent of performance and united phrasing across the lines of your arrangement.

TRANSPARENT AND NATURAL RECORDINGS
The recordings were done using only handpicked musicians best fit to the required aesthetic in tone and vibrato as well as custom microphone arrays summed down to 3 different mic positions and a fully produced out of the box mixed signal. The hall is of ambient medium size to get a cinematic sound, but still retain as much details as possible.

Due to the fact that this library doesn't use any dynamic layers or Round Robins you always get the sound of a real live recording without the usual stacked ensemble pad sound. Play a three voiced chord with a solo cello and it will sound like three celli playing together.

INSTRUMENTS
- Violin Section
- Viola Section
- Cello Section
- Double Bass Section
- Solo Violin
- Solo Cello
- Full Ensemble

BOWINGS
- Normale
- Normale Espressivo
- Sul Pont to Normale back to Sul Pont
- Sul Tasto
- Tremolo
- Sul Pont Tremolo
- Loure
- Tenuto Overlays (controllable by velocity) recorded in context

DYNAMIC SHAPES (available through Keyswitches)
- 1-1 (One bar crescendo one bar decrescendo)
- 2-2 (Two bars crescendo two bars decrescendo)
- 1-2 (One bar crescendo two bars decrescendo)
- 2-1 (Two bars crescendo one bar decrescendo)

More Videos
NOW FEATURING:

- Time Signature Scaling
- Full Ensemble Patches