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Spitfire Audio Albion V Tundra 喷火阿尔比恩系列第五卷 |
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支持系统：Windows.MAC |
音源厂商：https://www.spitfireaudio.com/ |
使用采样器：Kontakt 7. Kontakt 8加载 |
文件大小：41GB |
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捕捉到斯堪的纳维亚的时代精神，我们对一支100支管弦乐队进行了采样，该管弦乐队从未在非常安静的边缘进行过采样。除了管弦乐内容是风箱，打击和一个特点弯曲合成部分。你所需要的一切都可以降到一两个学位！ 在只能被描述为声波奥德赛的过程中，Spitfire的工作人员已经到了北部地区，研究、发现和发掘了迄今为止我们记录的最裸露、最诚实、最冰冷的一组样品。回到伦敦后，我们开始录制一支庞大的管弦乐队——但不是以一种沉浸在合唱传统中的风格，从上方呼应天使般的天使。相反，我们试图创造一种属于这个地球的声音挂毯。就好像它从地面的苔藓中渗出，散发着爱沙尼亚森林、苏格兰湖、挪威峡湾的气息，站在冰岛的永久冻土和苔原上，唤起了一种与世隔绝的感觉。 多年来，Spitfire音频公司一直在录制各种规模的管弦乐队，但在过去十年里，我们一直关注的一个主题是如何发掘和发现更多赤裸裸和诚实的表演风格。我们还了解到，在采样方面，这是最安静的水平，真正的魔术发生。考虑到这一点，通过研究Arvo P_rt、Sibelius和Gorecki最受欢迎的录音，以及通过观察来自斯堪的纳维亚和冰岛的新兴人才，我们得到了创造一套全新工具的灵感。我们与长期合作者、管弦乐家和当代作曲家本·福斯科特合作，开始录制一套完整的动态样品，其中最高级的是MP（Mezzo Piano，或某种中等静音），一直到我们有史以来最安静的录音。我们的总工程师打开了空气工作室的大厅，以最大限度地提高其惊人的早期反射，并液化纤维和精细纹理的指示，我们给了100强非凡的伦敦球员乐队。我们认为这是以前从未做过的样品。 •100支管弦乐队在伦敦航空工作室录制录音带 Capturing the Scandinavian zeitgeist, we sampled a 100-piece orchestra that had never been sampled before on the very edge of quiet. Beyond the orchestral content were bellows, percussion and a characteristically bent synth section. Everything you need down to a degree or two! In what can only be described as a sonic odyssey, the Spitfire crew have travelled to the North Country to research, discover and unearth the most bare, honest and icy set of samples we have recorded to date. Back in London, we set out to record a massive orchestra – but not in a style steeped in the choral tradition of echoing angelic angels from above. Instead, we sought to create a tapestry of sound that belonged to this earth. It was as if it oozed from the moss in the ground, smelling of Estonian forests, Scottish lochs, Norwegian fjords, and standing on the permafrost and tundra of Iceland, evoking a sense of isolation. Spitfire Audio has been recording orchestras of all sizes for many years, but one theme we've been focusing on over the past decade is how to unearth and discover more naked and honest performance styles. We've also learned that it's at the quietest level where the real magic happens when it comes to sampling. With this in mind, we were inspired to create a whole new set of tools by studying the most popular recordings of Arvo Pért, Sibelius and Gorecki, and by looking at emerging talent from Scandinavia and Iceland. Working with long-time collaborator, orchestrator and contemporary composer Ben Foscott, we set out to record a full set of dynamic samples, with the highest level being MP (Mezzo Piano, or some kind of medium silence) all the way up to our quietest recordings ever. Our chief engineer opened up the hall of the Air Studios to maximize its amazing early reflections and liquefied the indications of fiber and fine texture we gave the 100-strong extraordinary London Players Band. We think this is a sample that has never been done before. • 100-piece orchestra recorded on tape at London Air Studios |