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支持系统：Windows.MAC

音源厂商：https://impactsoundworks.com/product/tokyo-scoring-strings

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：186GB

在众多的弦乐库中，Tokyo Scoring Strings 以其独特的音色、非凡的前瞻技术和极其易于使用的工作流程脱颖而出。

在创建 Tokyo Scoring Strings 时，我们希望它既有趣又鼓舞人心，而且易于使用，同时还足够强大，能够创造出真正逼真的表演。我们竭尽全力打磨和完善我们的连奏，使其听起来非常自然和真实，无论您是在写富有表现力的乐段还是快速的乐段。

Tokyo Scoring Strings 的完整版本为您提供了令人难以置信的精细控制，以及非凡的细节水平，并且由于扩展了发音，能够模拟更广泛的表演。

从以下三种麦克风混音中进行选择，或者从四个单独的麦克风位置设计您自己的混音。

Board Mix：由 Mitsunori Aizawa 使用他在 Sound City 的硬件设置进行的前期混音。
Anima Mix：轻盈飘逸的混音，最适合敏捷而复杂的写作。
电影混音：适合电影配乐和低音弦乐合唱的暗淡、平滑混音。

麦克风混音器补丁中的单个麦克风信号：

近距离：非常干的单声道信号，可用于添加更多清晰的细节。
Decca：使用心形麦克风的“Decca 树”麦克风布置。
侧面：一种“外支架”信号，提供比 Decca 更宽的立体声图像。
背面：指向墙壁的带状麦克风，音调较暗，可用于营造温暖感。

TSS1.0 用户注意：在 Tokyo Scoring Strings 2.0 中，近距离麦克风位置已重新设计，以消除漏音麦克风，使其声音更近、更集中。“环绕”和“房间”位置已被移除，取而代之的是“侧面”和“背面”位置，这提供了更多的对比度。

In a crowded field of string libraries, Tokyo Scoring Strings stands out for its unique sound, extraordinary lookahead technology, and remarkably easy-to-use workflow.

In creating Tokyo Scoring Strings, we wanted it to be fun, inspiring, and easy to use, while still powerful enough to create truly realistic, lifelike performances. We’ve gone to great lengths to polish and perfect our legato so that it sounds perfectly natural and real, whether you’re writing expressive or rapid passages.

The Complete version of Tokyo Scoring Strings gives you incredible fine-grained control, as well as extraordinary levels of detail and the ability to mock up an even wider range of performances due to expanded articulations.

Choose from the following three mic mixes, or design your own from four individual mic positions.

Board Mix: An upfront mix by Mitsunori Aizawa, using his hardware setup at Sound City.
Anima Mix: A light and airy mix most suited to agile and intricate writing.
Cinema Mix: A dark, smooth mix suitable for cinematic scoring and low string chorales.
Individual mic signals in the Mic Mixer patch:

Close: A very dry mono signal that can be used for adding more crisp detail.
Decca: A “Decca tree” mic arrangement using cardioid mic.
Side: An “outriggers” signal, providing a wider stereo image than the Decca.
Back: Ribbon mics pointed at the wall, with a darker tone that can be used to bring out warmth.

Note for TSS1.0 users: In Tokyo Scoring Strings 2.0, the Close mic position has been reworked to remove bleed mics, giving it a more close and focused sound. The ‘Surround’ and ‘Room’ positions have been removed in favor of the ‘Side’ and ‘Back’ positions, which provide more contrast.