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Waverunner Audio Rosehip Vibes KONTAKT 颤音琴\电颤琴


支持系统:Windows.MAC

音源厂商:https://www.waverunneraudio.com/

使用采样器:Kontakt 7. Kontakt 8加载

文件大小:1.6GB



为了以独特的方式演绎我们耳熟能详的声音,我们与颤音琴演奏家 Alexander Gagatsis 合作,提炼出他颤音琴中蕴含的丝绒般柔和的音色,即使力度变化极小。为了扩展包含"真颤音"控制的主乐器音色,Alex 演奏了琶音和渐强音,并展示了一种使用鼓槌末端的技巧。结合叠加混响和延迟的"Seven Days Kontakt 引擎",可以轻松创作出空灵的音景或循环式的实验,并探索颤音琴音色的全新演绎。

麦克风位置:
OMNI - 立体声录音棚拾音,为声音增添空气感
RIBBON - 更贴近个人,带来温暖、自然、直接的声音
X-Y - 更集中的第二个立体声选项

效果器:
混响 1
混响 2
延迟 1
延迟 2
磁带
立体声

只需点击您想要使用的效果,控制按钮就会出现。混响和延迟的叠加可以轻松创造出空灵而富有变化的音景。幕后效果链如下:

磁带 - 混响 1 - 延迟 1 - 延迟 2 - 混响 2 - 立体声 - 限制器

控制音量:
叠加混响和延迟会迅速增加音量,并显著增加音量,因此请务必留意音量,避免出现任何失真。为了在需要加大音量时控制音量,"限制器"开关在所有屏幕上均可用。当需要过载的碎音时,限制器也可以作为一种创意工具。只需打开限制器,将"动词"和"延迟"混音调高,并尝试在磁带效果器中增加温暖度和增益即可。这种碎音是 Waverunner Audio 的一大特色。

演奏技巧:
Vibraphone Main:带有真正颤音控制的丝绒颤音琴,可在开启和关闭阀门采样之间进行调制。
cc1 用于颤音控制/力度用于动态。

Valves Closed:阀门完全关闭时演奏。音色更安静、更柔和。
无 cc 控制/力度用于动态。

Valves Open:阀门完全打开时演奏。更明亮、更响亮的音色
无CC控制/力度控制

渐强:演奏八度渐强,动态先增加后减少
无CC控制

琶音:大调和小调琶音
无CC控制

Alt Hit:用鼓槌末端演奏,可获得非常明亮的音色
无CC控制

规格:
- 4个演奏技法
- 录制于96k,呈现于24bit/48k
- 1.8GB(Kontakt压缩后为4.5GB)
- 需要完整版Native Instruments Kontakt 5.6及以上版本

To present a unique take on a familiar sound, we worked with vibraphonist Alexander Gagatsis to distill the intimate velvet tones found at the softest of dynamics of his vibraphone. To expand on the main instrument patch that includes 'true tremelo' control, Alex performed arpeggios and swells, as well as a technique of using the stick end of the beater. Combined with the 'Seven Days Kontakt engine' that stacks reverb and delays, it's easy to create ethereal soundscapes or loop-like experiments, and explore a whole new take on the sound of the vibraphone.

Mic positions:
OMNI - stereo capturing of the studio offering air to the sound
RIBBON - More up close and personal, a beautiful warm, direct sound
X-Y - a more focused second stereo option

FX:
Reverb 1
Reverb 2
Delay 1
Delay 2
Tape
Stereo

Simply click which effect you would like to use and the controls will appear. The stacking of reverb and delay allows easy creation of ethereal and modified soundscapes. Behind the scenes the FX chain is as follows:

Tape - Reverb 1 - Delay 1 - Delay 2 - Reverb 2 - Stereo - Limiter

Controlling levels:
Stacking reverbs and delays can quickly add up and increase the volume significantly, so be sure to keep an eye on levels to avoid any distorted sounds coming through. To help control levels when you feel like cranking things up, the 'limiter' toggle is available on all screens. The limiter can also be used as a creative tool when an over-driven crushed sound is desired. Simple turn the limiter on and crank the 'verb and delay mixes up, and also try cranking the warmth and gain in the tape FX too. This crushed sound is a flavour favourite here at Waverunner Audio.

Articulations:
Vibraphone Main: the velvet vibraphone with true tremolo control, modulating between open and closed valve samples
cc1 for tremolo control / velocity for dynamics

Valves Closed: perform with the valves fully closed. A quieter, softer tone
no cc control / velocity for dynamics

Valves Open: perform with the valves fully open. A brighter, louder tone
no cc control / velocity for dynamics

Swells: performed octave swells, increasing then decreasing in dynamic
no cc control

Arpeggios: major and minor arpeggios
no cc control

Alt Hit: performed with the stick end of the beater for a very bright sound
no cc control

Specifications:
- 4 articulations
- Recorded at 96k, presented at 24bit/48k
- 1.8gb (Kontakt compressed from 4.5gb)
- Requires the full version of Native Instruments Kontakt 5.6 +


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