演出
Uke具有广泛的重复段、颤音和可播放的重复补丁——这些样本是从真实表演中编辑出来的，并被编程为以超现实的连接方式播放。我们捕捉到了调性和无调性的演奏风格。
语气
我们捕捉到了一系列广泛的演奏风格，从拨片、镐和轻击到画笔、和声和木棒。大多数独特的风格都是音调和无调性的，都强调节奏表演。由此产生的声音是独特的，非常适合电影配乐。
界面
用户界面具有双频AHDSR控制功能，用于声音整形，高级控制功能，可实现表演灵活性，以及强大的32步定序器，旨在制作充满活力的节奏和凹槽。Riffs补丁具有独特的速度控制，可以将给定表演的节奏加倍或减半。
音频奥利节奏影院设备：Uke KONTAKT DECiBEL屏幕截图
运动中的纹理。
Uke不是传统的尤克里里虚拟乐器。我们捕捉到了完全独特的演奏风格，包括拨片、镐、指锤、毛笔、轻击、颤音和和声。此外，我们还采样了无调性和打击乐技巧。
用户界面具有强大的定序器，旨在使节奏创作变得简单而鼓舞人心。还包括调制控制和高级设置，以定制播放性能。
本产品要求Kontakt 5.8 Full或更高版本。仪器需要手动或使用Kontakt的快速加载功能加载。它不会出现在库选项卡中。
Performance
Uke features a wide range of riffs, tremolos and playable repetition patches - samples that have been edited out of real performances, and programmed to play back with hyper-realistic connectivity. We captured both tonal and atonal playing styles.
Tone
We captured an extensive set of playing styles from plucks, picks, and taps to brushes, harmonics and sticks. Most unique styles were sampled both tonally and atonally, all with an emphasis on rhythmic performance. The resulting sounds are unique and well suited to film score.
Interface
The UI features dual band AHDSR controls for sound shaping, advanced controls for flexibility in performance and a powerful 32 step sequencer designed to craft energetic rhythms and grooves. Riffs patches have unique speed controls to either double or half the tempo of a given performance.
Audio Ollie Rhythmic Cinema Devices: Uke KONTAKT-DECiBEL screenshot
Texture in motion.
Uke is not a traditional ukulele virtual instrument. We captured entirely unique playing styles including plucks, picks, finger hammers, brushes, taps, tremolos and harmonics. In addition, we sampled atonal and percussive techniques.
The user interface features a powerful sequencer designed to make rhythmic creation easy and inspiring. Also included are modulation controls and advanced settings to customize playback performance.
This product requires Kontakt 5.8 Full or above. The instruments need to be loaded in manually or by using Kontakt's quick-load feature. It will not appear in the libraries tab. |
