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支持系统：Windows.MAC

音源厂商：https://www.audioollie.com/bryce-jacobs

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：620MB

布莱斯对电影音乐的执着促使他开发了一把自己设计的吉他——一把基于钢琴音域和功能的吉他。通过将现有的钢琴音乐忠实地转录到这把吉他上，该乐器成为了一个新的、令人兴奋的平台，可以创作和演奏任何风格的音乐，这鼓励了更多的混合导向音乐。搬到洛杉矶后，Bryce很快在Hans Zimmer的Remote Control Productions获得了一个职位，在那里他参与了许多热门电影、电子游戏和电视节目的写作和制作。在此期间，他与格莱美提名和艾美奖得主、《权力的游戏》著名作曲家拉明·贾瓦迪密切合作。这种关系导致了华纳兄弟的《诸神之战》、米高梅/UA的《赤色黎明》、EA的《荣誉勋章》和《速度的需要》以及Activision的《使命召唤：现代战争3》等项目的合作。除此之外，Bryce还为"Rango"，"加勒比海盗：在陌生的潮汐上"，"穿靴子的猫"，"野蛮人"和"Rush"的乐谱进行了表演，其中包括7八度吉他。

-通过按键开关分层多达12个循环，快速制作整个线索
-通过强大的效果、定时和反转键触发器来打乱你的声音
-在连续循环+循环legato模式下，永远不会失去同步

音频Ollie Bryce Jacobs 7 Octave Guitar KONTAKT屏幕截图众所周知，吉他在世界上是一种非常通用的乐器，由于多年来的创新演奏者，它的灵活性远远超出了标准结构。尽管在大学的第一年，我发现自己非常清楚其中的一些局限性。我意识到，在这个时候，吉他无法演奏太多的钢琴和管弦乐，任何转录这种性质的作品的尝试都受到了严重损害。这似乎也是为什么如此多的传奇作曲家将吉他排除在工作之外的原因，因为吉他无法创造出钢琴或管弦乐队的巨大洪亮声音。不幸的是，这导致了吉他曲目与世界其他音乐曲目的自然分离；吉他音乐和音乐之间的分歧，几乎没有共同点。吉他显然在其存在过程中慢慢成熟，直到20世纪才随着电子技术的创新和探索它的当代音乐而飙升。尽管如此，我仍然感到吉他音乐和其他音乐世界之间存在一种空白。我设计了一把吉他，我觉得它开始了缩小这些局限性差距的旅程。

我聘请了技艺精湛、备受尊敬的澳大利亚吉他制造商杰拉德·贾利特（Gerard Gilet）的才华来制作我设计的乐器。经过长时间的讨论，他不仅支持吉他，而且对新乐器非常兴奋。Colin Bloxom将电子设备连接到我的设计中，Frank Grabesa对原型进行了最后一次引人注目的涂漆。澳大利亚艺术委员会音乐委员会的捐款为这一建筑的财务方面提供了便利。我目前在自己的作曲作品中以各种各样的纹理方式使用吉他。要观看吉他的演奏，请查看视频页面。

Bryce's dedication to film music led to the development of a guitar of his own design – a guitar that was based on the range and capabilities of a piano. Through the facilitation of transcribing existing piano music faithfully onto this guitar, the instrument became a new and exciting platform to write and perform any style of music, which encouraged more of the hybrid-orientated music. With his move to L.A., Bryce quickly attained a position at Hans Zimmer's Remote Control Productions where he was part of the writing and production of many hit films, video games and television shows. Through this time, he worked very closely with Grammy Nominated and Emmy Winning composer of "Game of Thrones" fame, Ramin Djawadi. This relationship led to working on projects such as Warner Brothers' "Clash of the Titans", MGM/UA's "Red Dawn", EA's "Medal of Honor" and "Need for Speed" and Activision's "Call of Duty: Modern Warfare 3" among many others. In addition to this, Bryce has also performed on the scores for "Rango", "Pirates of the Caribbean: On Stranger Tides", "Puss in Boots", "Savages" and "Rush", which features the 7 Octave Guitar.


- Quickly craft entire cues by layering up to 12 loops via key switch
- Mangle your sound with powerful effects, timing, and reverse key triggers
- Never go out of sync with continuous looping + loop legato mode

Audio Ollie Bryce Jacobs 7 Octave Guitar KONTAKT screenshotThe guitar as we know it has asserted itself in the world as an incredibly versatile musical instrument that thanks to its innovative players over the years, has been extended a flexibility far beyond its standard constructions. I found I became very aware of some of the limitations though in my first year at university. I realized at this time so much piano and orchestral music was out of the guitars reach and any attempts to transcribe pieces of this nature had been heavily compromised. This also seems to be the reason why so many of the legendary composers had left the guitar out of their work, due to its inability to create the huge sonorous sounds of a piano or an orchestra. Unfortunately this producing a natural segregation of guitar repertoire to the rest of the world's musical repertoire; a split between guitar music and music, with little common ground in between. The guitar obviously has matured slowly over its existence and only soared in the 20th century with the innovations in electronic technology and the contemporary music that explored it. Still I have felt a void though between guitar music and the rest of the musical world. I have designed a guitar that I feel begins the journey of closing the gap of these limitations.

I employed the talents of the exceptionally skilled and well respected Australian guitar maker Gerard Gilet to construct the instrument I designed. After lengthy discussions regarding the guitar he was not only supportive but also very excited about the new instrument. Colin Bloxom wired the electronics to my design and Frank Grabesa gave the prototype its final striking paint job. The financial side of such a construction was facilitated with a contribution from the Australian Arts Council's Music Board. I currently use the guitar in a large variety of textural ways in my own compositional output. To see the guitar in action check out the Videos page.