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支持系统：Windows.MAC

音源厂商：https://insessionaudio.com/products/producer-pop-acoustic-guitar/

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：583MB

关于此 Loop 库
Producer Pop Acoustic Guitar 是一个包含扫弦进行、拨弦模式和工具箱式演奏的 Loop 库，其风格均围绕当前的制作价值而设计。

Producer Pop Acoustic Guitar 涵盖了民谣、令人愉悦的中速律动和强劲的轻快节奏，涵盖了各种风格、节奏和调性。

因此，无论一首歌曲需要简单自然的扫弦来伴奏人声，还是需要双轨吉他的闪耀光芒，Producer Pop Acoustic Guitar 都能帮助词曲作者和乐器演奏家创作出令人难忘的音乐。

制作人笔记
在创建这个库时，我们首先想到了一个问题："制作人会要求吉他手在他们的歌曲中做什么？" 这个问题通过以下方式帮助 Producer Pop Acoustic Guitar 得以诞生：

每个套曲都包含一组"吉他 A"和"吉他 B"的 Loop，演奏不同但互补的部分。为了进一步区分，"A"和"B"组曲采用不同的吉他，通常"B"声部在琴颈较高位置演奏，并使用变调夹。

每个组曲都具有灵活的歌曲式结构。此外，每个组曲都包含丰富的节奏和持续和弦选择，这些节奏和持续和弦与歌曲的整体感觉和调性相关，旨在为用户提供更大的创作自由。

该音色库采用 Taylor、Takamine 和 Bedell 钢弦原声吉他、La Patrie 尼龙弦吉他以及采用"纳什维尔"调弦的 Martin 吉他制作，所有音色均使用一对 Shure SM81 麦克风录制。

About this Loop Library
Producer Pop Acoustic Guitar is a loop library of strummed progressions, picked patterns and toolbox performances styled around current production values.

With ballads, feel-good midtempo grooves and driving upbeat rhythms, Producer Pop Acoustic Guitar covers a range of styles, tempos and keys.

So whether a song needs a simple, natural strum to accompany a vocal, or the shimmer of double-tracked guitars, Producer Pop Acoustic Guitar helps songwriters and instrumentalists create music that b

Producer's Notes
When beginning this library we started with the question, "What would a producer ask a guitar player to do in their song?" This question helped form Producer Pop Acoustic Guitar in the following ways:

Each suite features a "Guitar A" and "Guitar B" set of loops playing distinct, but complementary parts. For further differentiation, the "A" and "B" sets were cut using different guitars, often with the "B" parts played higher on the neck, with a capo.

Every suite features a flexible, song-like structure. Furthermore, each suite has a toolbox selection of rhythms and sustained chords that relate to the overall feel and key of the song, designed to give the user additional compositional freedom.

The library was created using Taylor, Takamine and Bedell steel string acoustics, a La Patrie nylon string, and a Martin in "Nashville" tuning, all recorded with a pair of Shure SM81 microphones.