经典的自动咝声消除功能，可即时适应任何乐器。出色的咝声消除效果并非复杂。最初的 dBx® 902 咝声消除器于 20 世纪 80 年代推出，便一炮而红。凭借精巧的设计和极其简洁的工作流程，它迅速成为全球各大录音棚的主流，并被无数热门唱片所采用。如今，Lindell Audio 将这一设计引入数字音频工作站 (DAW)，并添加了新功能，使其比原版更加出色。
自动咝声消除功能，可即时适应任何乐器
不要被它的外观所迷惑：Lindell 902 咝声消除器简约的双旋钮工作流程，背后是极其精妙的工程设计。902 最引人注目的一点是它没有阈值控制。但这是一项功能，而非缺陷。 902 会将您选择的高频电平与信号的其他部分进行比较，无论您的信号是低声细语还是震耳欲聋，都能实现同样平滑的咝声消除。
轻松降低任何音源的刺耳音
902 缺乏复杂的控制，使其比大多数其他咝声消除器更易于使用，也更不容易出错。没有固定的阈值意味着您不再需要为了妥协而过度处理高音部分或处理不足低音部分。但如果音质不佳，这一切都毫无意义。幸运的是，902 也是迄今为止音质最佳的咝声消除器之一，不仅适用于人声，还适用于控制镲片、吉他或任何其他可能出现刺耳瞬态的乐器的过亮音。
现在，它拥有仅在数字领域才有的全新功能。
Lindell 902 秉承了经典录音室的精髓，并添加了面向 21 世纪的额外功能，包括图形布局，可实时精确显示去咝声器的工作状态；"混音"旋钮；"空气"控制，可在去咝声后恢复亮度；以及"聆听"功能，可准确聆听去咝声器的工作状态。
法律免责声明：902 去咝声器由 Lindell Audio 使用其自主建模技术开发，其中一款研究产品是 dBx® 902 去咝声器。dBx® Professional Audio 未授权任何知识产权用于 Lindell 902 去咝声器，亦未以任何方式认可或支持 Lindell Audio 902 去咝声器。
功能
忠实还原无数热门唱片中经典的咝声消除器
极其简单的工作流程：只需设置目标频率和所需的增益衰减量
无固定阈值控制意味着咝声消除器会自动适应信号电平，在高音和低音段落中实现同样顺滑的咝声消除
混音旋钮可将处理后和未处理的信号混合在一起
监听功能可分别试听咝声消除器的侧链和增益衰减
空气控制可施加平滑的高频增强，以恢复丢失的高频内容
Classic, automatic de-essing that instantly adapts to any instrument. Great de-essing doesn't have to be complicated. The original dBx® 902 de-esser was an instant classic when it was released in the 1980s. With an ingenious design and extremely simple workflow, it quickly became a mainstay in major studios all over the world, finding its way onto countless hit records. Today, Lindell Audio brings this design to the DAW, adding new features that make it even better than the original.
Automatic de-essing that instantly adapts to any instrument
Don't let its looks deceive you: the minimalist 2-knob workflow of the Lindell 902 de-esser is made possible by some very sophisticated engineering under the hood. One of the most remarkable things about the 902 is that it doesn't have a threshold control. But this is a feature, not a bug. The 902 compares the level of the high frequency you select to the rest of the signal, allowing for equally smooth de-essing whether your signal is whisper quiet or screaming loud.
Reduce harshness on any source without second guessing
The lack of complex controls on the 902 makes it easier to use—and harder to mess up—than most other de-essers. No fixed threshold means you no longer have to compromise by over-processing loud sections or under-processing quiet ones. But all this wouldn't mean much if it didn't sound any good. Fortunately, the 902 is also one of the best sounding de-essers ever made, suitable not only for voice, but for controlling excess brightness on cymbals, guitars, or any other instrument with potentially harsh transients.
Now with new features only possible in the digital domain
The Lindell 902 takes a bona fide studio classic and updates it with extra features for the 21st century including a graphical layout showing exactly what the de-esser is doing in real time, a "mix" knob, an "air" control to bring back brightness after de-essing, and a "listen" feature to hear exactly what the de-esser is doing.
Legal Disclaimer: The 902 De-Esser was developed by Lindell Audio using its own modeling techniques, and one of the products studied was the dBx® 902 De-Esser. dBx® Professional Audio has not licensed any intellectual property for use in the Lindell 902 De-Esser, nor have they endorsed or supported the Lindell Audio 902 De-Esser in any manner.
FEATURES
Faithful emulation of a classic de-esser heard on countless hit records
Incredibly simple workflow: Just set the target frequency and desired amount of gain reduction
No fixed threshold control means the de-esser automatically adapts to the level of your signal, for equally smooth de-essing in loud and quiet passages
Mix knob to blend processed and unprocessed signal together
Listen function to audition the de-esser sidechain and gain reduction independently
Air control to apply a smooth high frequency boost to regain lost high frequency content |
