聆听：Valhalla DSP 打破了时空限制。
ValhallaVintageVerb 是一款后现代混响插件，灵感源自 20 世纪 70 年代和 80 年代经典的硬件数字混响。
15 种混响算法：
Concert Hall（音乐厅）算法。基于 20 世纪 70 年代末和 80 年代初的大厅算法。巨大的空间声场，可从稀疏到密集调节的回声密度，以及丰富的合唱调制。
Bright Hall（明亮厅）算法。类似于 Concert Hall 算法，但初始声音更明亮，调制更深沉、更丰富。
Plate（板状）算法。灵感源自 20 世纪 80 年代早期的 Plate 算法。高度扩散，初始声音明亮，回声密度高，以及丰富的合唱调制。
Room（房间）算法。模拟 20 世纪 80 年代早期 Room 算法的声音。中等扩散/早期回声密度，声音略暗，以及合唱调制。
Chamber（室内）算法。通透而密集。高度扩散，回声密度高，比 Plate/Room 算法的音染更少，并带有合唱调制。
随机空间。可产生深沉而宽广的混响，起音较慢，扩散性也比 20 世纪 80 年代后期启发它的算法更强。调制使用内部延迟随机化，以减少金属音损，同时避免合唱调制算法中可能出现的音高变化。
合唱空间。与随机空间相同，但用丰富的合唱调制取代了延迟随机化。
氛围。将随时间变化的随机早期反射与功能齐全的混响尾音相结合，并通过"Attack"旋钮控制早期和晚期混响之间的平衡。适用于为鼓、人声以及任何应该感受到但听不到混响的地方添加"空气感"。
圣殿。灵感源自 20 世纪 70 年代的经典德国数字混响器。离散的早期反射，密集的后期混响，快速构建回声密度，以及丰富的失谐调制。Sanctuary 融合了早期数字硬件中 A/D 和 D/A 转换器所使用的比特率降低和浮点增益控制。
Dirty Hall（1.5.0 版新增）。全新演绎 Concert Hall 算法，旨在模拟 80 年代早期混响硬件中奇特的定点和转换器音效。比 Concert Hall 算法更加丰富、密集，拥有丰富的温暖和粗粝感，带来粗犷的美感。连接你的模拟合成器，置身于复古科幻的天堂。
Dirty Plate（1.5.0 版新增）。Dirty Hall 所有温暖而粗粝的音效，应用于老式数字 Plate 算法。高回声密度，宽广的立体声像，以及恰到好处的金属光泽。鼓声通过 Dirty Plate 后，变得鲜活生动。
Smooth Plate（1.5.0 版本新增）。与 Dirty Plate 完全相反。所有设置下均能平滑衰减，从短暂到近乎永恒。丰富的合唱，丝毫没有 Dirty Plate 的金属感。ValhallaVintageVerb 中最通透自然的混响。调高 Size 参数，即可飘逸至太空！
Smooth Room（1.5.0 版本新增）。一款平滑通透的房间混响，沿袭 Smooth Plate 风格。可用于模拟 20 世纪 80 年代后期硬件的房间/大厅算法，并获得清晰的混响效果，同时减少音染。
Smooth Random（1.5.0 版本新增）。一款随机房间/大厅算法，具有可从微小到巨大调节的通透衰减。随机延迟调制，类似于 Random Space，但初始启动更紧凑，衰减更平滑。一款优秀的"万能"混响算法。
Nonlin（1.5.0 版本新增）。门控、反向和非线性混响，应有尽有。使用"Size"控制混响的时长，使用"Attack"在截断混响、"平坦"门控衰减和巨大的反向混响之间进行平滑插值。丰富的合唱调制随时可用，满足您的自赏音乐需求。
三种色彩模式，可调整特定混响时代的音色和声音失真：
1970 年代。复制早期数字混响器的低带宽（最大输出频率 10 kHz）。内部下采样，重现低采样率运行时的失真。调制效果阴暗嘈杂，并可能产生带有持续音符的奇怪随机边带。这是故意为之。
1980 年代。全带宽/采样率，带来比 1970 年代更明亮的声音。调制仍然暗淡且嘈杂，但由于以全采样率运行，会产生与 1970 年代模式不同的音效。
现在。全带宽/采样率。调制干净无色，与 1970 年代/1980 年代模式的杂音不同。
界面设计简洁易用，用户友好：
精简的强大参数集，按逻辑类别组织。
所有控制均集中在一个面板上。无需跳转菜单。
插件窗口底部的工具提示，描述当前选择的混响模式和色彩模式，以及用户正在调整的任何参数。目标是使插件具有自文档化功能。
强大的跨平台预设菜单，支持以文本格式复制和粘贴预设。可通过电子邮件、论坛分享预设
Listen: Valhalla DSP has come unstuck in time.
ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s.
15 Reverb Algorithms:
Concert Hall. Based on the hall algorithms of the late 1970s and early 1980s. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation.
Bright Hall. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation.
Plate. Inspired by early 1980s plate algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation.
Room. Emulates the sound of early 1980s room algorithms. Medium diffusion/early echo density, somewhat darker sound, chorused modulation.
Chamber. A transparent and dense algorithm. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation.
Random Space. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation.
Chorus Space. Same as Random Space, but with the delay randomization replaced with lush chorused modulation.
Ambience. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Useful for adding "air" to drums, vocals, and any place where a reverb should be felt but not heard.
Sanctuary. Inspired by a classic German digital reverberator from the 1970s. Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.
Dirty Hall (new in 1.5.0). A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. Plug in your analog synth and send yourself into retro sci-fi heaven.
Dirty Plate (new in 1.5.0). All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. High echo density, wide stereo image, and just the right amount of metallic sheen. Drums come alive when sent through Dirty Plate.
Smooth Plate (new in 1.5.0). The complete opposite of Dirty Plate. Smooth decay at all settings, from short to near-eternal. Lush chorusing, with none of the metal found in Dirty Plate. The most transparent and naturalistic reverb in ValhallaVintageVerb. Crank up the Size parameter, and float off into space!
Smooth Room (new in 1.5.0). A smooth and transparent room reverb, in the Smooth Plate style. Useful for emulating the Room/Hall algorithms of late 1980s hardware, as well as getting clear reverberation with low amounts of coloration.
Smooth Random (new in 1.5.0). A random room/hall algorithm, with transparent decays that can be adjusted from tiny to huge. Randomized delay modulation, similar to Random Space, but with a much tighter initial attack and smoother decay. A good "jack of all trades" reverb algorithm.
Nonlin (new in 1.5.0). Gated, reverse, and nonlinear reverbs are all on tap here. Use Size to control the duration of the reverb, and Attack to smoothly interpolate between a truncated reverb, a "flat" gated decay, and huge reverse reverbs. Lush chorusing modulation on tap, for your shoegazing needs.
3 Color Modes for dialing in the tone color and sonic artifacts of a specific reverb era:
1970s. Replicates the reduced bandwidth of the earliest digital reverberators (10 kHz maximum output frequency). Downsampled internally, to reproduce the artifacts of running at a lower sampling rate. The modulation is dark and noisy, and can produce strange and random sidebands with sustained notes. This is intentional.
1980s. Full bandwidth / sampling rate, for a brighter sound than the 1970s. The modulation is still dark and noisy, but will produce different artifacts than the 1970s mode as it is running at the full sampling rate.
NOW. Full bandwidth / sampling rate. The modulation is clean and colorless, versus the funky artifacts of the 1970s/1980s modes.
The interface has been designed to be instantly accessible and user friendly:
Streamlined set of powerful parameters, organized into logical categories.
All controls on one panel. No menu diving required.
Tooltips at the bottom of the plugin window, that describe the currently selected reverb mode and color mode, as well as any parameters the user is adjusting. The goal is for the plugin to be self-documenting.
A powerful cross-platform preset menu, with the ability to copy and paste presets in a text format. Share presets via emails, forum |
