优先考虑。
优先级是一种心理声学立体定位工具。它创建了一个有机调制的立体声图像，产生了一种瞬时的宽度、深度和存在感，类似于声学空间中使用的立体声麦克风技术。然后，它将此图像定位在虚拟舞台内，使混音工程师能够超精确地控制从左到右和从前到后的位置。最终的结果是一种令人难以置信的超现实3D空间感，以及该空间内每个仪器的特定定位。
Precedence 1.5引入了Precedence Link插件间通信系统、多实例编辑、编辑组、全局广播、新算法模式和许多其他极具创新性的功能。这些功能使Precedence和Breeze 2.5能够作为一个统一的空间混合环境，实现令人难以置信的协同工作流程以及真正的下一代声音效果。
总之，Breeze 2.5和Precedence 1.5（我们亲切地称之为PBJ）引入的系统代表了空间混合的新范式。它将直接声音空间化和定位与自适应多实例混响环境相结合，该环境会自动调整自身以增强Precedence建立的位置成像。
毫无疑问，您熟悉传统的增益平移，可能听说过更先进的技术，如依赖哈斯效应、双耳听力、头部相关传递函数（HRTF）和类似主题的技术。Precedence与上述技术存在于同一个宇宙中，但提供了一些非常新颖的发展，以及一种独特的有机变形功能，大大提高了其在耳机和扬声器上的效果，同时避免了上述每种技术的固有弱点。除了提供对水平角度或方位角的完美控制外，Precedence还提供了对乐器与听众表观距离的精确控制，使用户能够实现令人难以置信的前后深度和距离放置，这在评分、管弦乐作品和许多其他音乐风格等应用中非常理想。此外，Precedence旨在与Breeze 2.5等2CAudio混响进行智能集成，以在统一的虚拟声学空间中实现前所未有的乐器放置真实感。
走出平地，体验更高维度的空间化，实现全方位精准、有目的的定位。空间声音下一次进化中缺失的环节已经找到，今天可以使用。优先于空间较差的混合。
用途与应用
•声场定位
•精确的管弦乐队和声学定位
•立体声麦克风技术仿真
•单声道到立体声上混音
•3D空间混合
•深度放置
•立体成像和操作•立体加宽和变窄
•仪器重新定位
•混响和早期反射增强
•空间效果
•语音加倍
•声乐甜味
•亲密氛围效应
•超立体声和其他不寻常的空间效果
•调制效果
•自动平移效果
•随机增益调制
•通过亚光源运动实现人性化效果
生命在动
自从十年前Aether 1.0首次发布以来，我们一直在赞美微妙的有机调制在空间处理中的优点。在《Precedence》中，我们对直接声音本身进行了调制，增强了其瞬时的空间印象，并给它一种令人信服的存在感，让人感到毛骨悚然。如果你闭上耳朵，你可能会试图触摸一下工作室监视器之间空气中表演者的鬼魂。不过，不要害怕，因为这不是万圣节的把戏；这完全是一种享受，你的混合物将比以往任何时候都更有活力。复活死者混合了一种功效，会让弗兰肯斯坦嫉妒不已，并在已经很好的混合物中低语额外的天使气息。在Precedence中应用的调制不同于我们混响中使用的任何技术，而之前的Breeze 2、B2或Aether with Precedence增强了我们混响中的空间化，使其达到了更高的超现实水平。《早期反思》将与微妙的生活共舞，尾巴将变得比装满最多汁的万圣节糖果的篮子还要甜，而且不会蛀牙。
Take Precedence.
Precedence is a psychoacoustic stereo positioning tool. It creates an organically modulating stereo-image that produces an instantaneous sense of width, depth, and presence similar to stereo microphone techniques used in acoustic spaces. It then positions this image within a virtual stage, giving mix engineers ultra precise control over left-to-right and front-to-back placement. The end result is an incredible sense of hyper-realistic 3D space and specific localization of each instrument within this space.
Precedence 1.5 introduces the Precedence Link inter-plugin communication system, Multi-Instance Editing, Edit Groups, Global Broadcast, new algorithm modes and many other extremely innovate features. These features allow Precedence and Breeze 2.5 to function as a unified Spatial Mixing Environment, achieving both an incredibly synergistic workflow as well as truly next-generation sonic results.
All combined, the system introduced with Breeze 2.5 and Precedence 1.5, which we have affectionately nicknamed PBJ, represents a new paradigm in spatial mixing. It pairs direct sound spatialization and positioning with an adaptive multi-instance reverb environment that automatically tunes itself to augment the positional imaging established by Precedence.
You are undoubtedly familiar with traditional gain panning and have perhaps heard of slightly more advanced techniques such those relying on the Haas Effect, binaural hearing, Head Related Transfer Functions (HRTF) and similar topics. Precedence lives within the same universe as the aforementioned techniques, but offers some very novel developments, and a unique organic morphing functionality that drastically enhances its effectiveness over both headphones and loudspeakers while avoiding the innate weaknesses of each of the above techniques. In addition to delivering perfect control over horizontal angle or azimuth, Precedence also offers precise control over an instrument's apparent distance from the listener allowing users to achieve incredible front-back depth and distance placement, which is highly desirable in applications such as scoring, orchestral work, and many other musical styles. Furthermore, Precedence is designed to intelligently integrate with 2CAudio reverbs such as Breeze 2.5 to achieve an unprecedented degree of realism in instrument placement within a unified virtual acoustic space.
Move out of flatland, experience higher dimensions of spatialization, and achieve precise and purposeful positioning in all directions. The missing link in the next evolution of spatial sound has been found and is available today. Take Precedence over spatially inferior mixes.
Uses & Application
• Sound-Stage Positioning
• Accurate Orchestral and Acoustic Positioning
• Stereo Microphone Technique Emulation
• Mono-to-Stereo Upmixing
• 3D Spatial Mixing
• Depth Placement
• Stereo Imaging & Manipulation • Stereo Widening and Narrowing
• Instrument Repositioning
• Reverb & Early Reflections Enhancement
• Spatial Effects
• Voice Doubling
• Vocal Sweetening
• Intimate Ambience Effects
• Super-Stereo and Other Unusual Spatial Effects
• Modulation Effects
• Auto Panner Effects
• Random Gain Modulation
• Humanize Effects Via Sublte Source Movement
Life In Motion
We have been extolling the merits of subtle organic modulation in spatial processing ever since the first release of a Aether 1.0 ten years ago. In Precedence we bring modulation to the direct sound itself, augmenting its instantaneous spatial impression and giving it a sense of presence that is so convincing it's downright spooky. If you close your ears you may be tempted to try to reach out a touch the ghosts of the performers in the air between your studio monitors. Fear not however, as this is no Halloween trick; it's all treat, and your mixes will be more alive than ever. Reanimate dead mixes with an efficacy that would make Frankenstein green with envy, and whisper an extra helping of angelic breath into already great mixes. Modulation applied in Precedence is unlike any technique used in our reverbs, and preceding Breeze 2, B2, or Aether with Precedence augments the spatialization found in our reverbs, taking it to even higher levels of hyper-real. Early Reflections will dance with subtle life and tails will become sweeter than a basket full of the most succulent Halloween candy -- without the tooth decay. |
