"模拟"的十几种精度变化，都在一个均衡器中。
thEQ蓝色
美丽的模拟架构，总共十二个，将使您的工作与众不同。
是的，你的蓝色
均衡器可能是最古老、最受欢迎的声音处理工具。从早期开始，其主要功能就是通过提高或降低某些频率来进行校正或增强。
一个世纪以来，工程师们开发了无数均衡器。一些成为了传奇，我们的thEQorange就是其中之一。录音和后期最流行的版本是参数均衡器或PEQ，由Massenburg于1972年首次完善。它仅通过三个控件提供了最大的灵活性。如果使用得当，PEQ是一个强大的工具，也是每个音频工程师追求完美声音的最好朋友。正如蜘蛛侠（和伏尔泰）总是提醒我们的那样，"权力越大，责任越大。"当由一个无知或成本有限的软件工程师设计时，它确实会降低你的工作质量。
当市场上已经有数百种参数均衡器（PEQ）时，为什么还要再开发一种呢？答案很简单……因为还有改进的余地！最初的LinearPhase PEQ Red and Orange的客户要求Algorithmix开发一款经典的EQ，用于录音和混音任务，具有无与伦比的纯度和透明度。几年来，我们的Christoph博士仔细分析了许多最好的方法，并汇编了大量模拟EQ最佳实践的知识库。从樱桃采摘开始，他不仅实施了一两个，还实施了一整套传统的最小相位EQ。结果呢？类比先行词的提炼，而其他先行词则基于新思想。
我们知道您会喜欢MAAT新修订的十几种蓝色变体，并会找到您最喜欢的声音。我们还增加了一些微妙但重要的细节，比如能够同时自由地将分段分配给立体声[左/右]或和/差[L+R/L-R]，并对所有分段进行"分组"，在不干扰单个分段关系的情况下进行全局增益更改。
十二个
我们想将模拟提升到另一个层次，所以我们对各种备受推崇的硬件EQ进行了逆向工程，从这个灵感中创造了理想化的数字版本。与携带模拟行李的模型或模拟不同，thEQblue没有从模拟中继承的噪声、失真或其他次要影响。
所有最小相位均衡器都是通过将相移版本与原始版本相加来工作的。thEQblue是最完整的经典系列。有史以来组装成一个封装的最小相位均衡器架构。您将获得传奇模拟均衡器电路的精确、理想化的示例，并辅以先进的新模型。无论是复古、现代还是实验性的，thEQblue都是每个混音和母带工程师玩的声音沙箱。
A dozen precision variations on "analog," all in one equalizer.
thEQblue
Beautiful analog Architectures, twelve in all, that will take your work out of the ordinary.
Yes, Your Blueness
The equalizer is perhaps the oldest and the most popular of sound processing tools. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies.
For a century, engineers have developed countless equalizers. A few became legend, our thEQorange is one. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. It offers maximum flexibility with only three controls. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. As Spidey (and Voltaire) always reminds us though, "With great power comes great responsibility." When designed by a clueless or cost–constrained software engineer, it can truly degrade your work.
Why develop yet one more parametric equalizer (PEQ) when there's already hundreds on the market? The answer is simple…'Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.
We know you'll enjoy our dozen variations of blue, newly revised by MAAT, and will find your favorite sound. We've also added subtle but important touches, like the ability to freely assign Sections to either stereo [left/right] or sum/difference [L+R/L-R] at the same time, and to "group" all Sections and make a global gain change without disturbing the relationship of individual Sections.
The Twelve
We wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog baggage, thEQblue has no noise, distortion or other secondary effects inherited from analog.
All minimum phase equalizers work by summing a phase shifted version with the original. thEQblue is the most complete collection of classic. minimum phase equalizer Architectures ever assembled into one package. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. Whether it's vintage, modern, or experimental, thEQblue is a sonic sandbox for every mixing and mastering engineer to play in. |
