嫉妒-"声音设计的绿眼睛怪物"-就是关于信封，窃取一种声音的特征并将其应用于另一种声音。
这有点像变形，但事实并非如此。它既是动态工具又是声码器，但你不会把它用于这两件事。它正式是一个调制插件，但这甚至还不能解释它的实际功能。
Envy实际上是一个工具包，用于生成独特的新材料，为现实世界的录音添加纹理，或破坏声音以创造疯狂的科幻元素。它可以把风唱片装进机关枪里，在foley脚上加上木头，可以在吸尘器上叠加一个鼓图案，或者仅仅为了踢腿而用6个八度音阶进行音高俯冲。
超紧动态包络替代
嫉妒可以把一种声音变成另一种声音的形状。源声音的整体动态包络被强烈地强制到目标声音上。因此，您可以非常快速地为陷阱或马蹄添加纹理，将狗的咆哮声融入声音中，或将尖叫声融入火箭经过的场景中。
4波段光谱包络
像一个非常宽而温和的声码器一样，Envy可以应用4个频带的单独包络。结果是目标声音开始像源声音或鼓模式一样说话。踢腿起到了鼓的作用，嘶嘶声在恰当的时机响起。你会认为你听到了声音，事实的确如此。
连续可变音调包络
是的，你实际上可以在音频片段上绘制音调弯曲。你们可以对对话进行微妙的语调调整，也可以缩小并绘制疯狂的6倍频程随机曲线。您可以反转、反转和撤消间距绘制。甚至还有一个变速三角形工具用于绘制颤音，可以加速或减速。
从现有声音中提取音高包络
Envy实际上可以读取源信号的音调包络，并将其应用于其他声音。它的效果出奇地好，但即使它没有，你也一定会得到一些有趣的东西，因为结果总是基于源音频中的真实事件。因此，您可以提取经过时的多普勒频移，并将其应用于风记录，或者反转鸟叫声以使其变平。
独特的基于Audiosuite的工作流程
Envy的工作流程不同寻常，但它在为现有作品生成新元素或图层方面非常高效。通过将封套采样到Audosite插件中，Envy几乎可以瞬间渲染到多个文件上，根据原始来源生成无限范围的新材质。
所有新的音调偏移算法
这些新的音高算法从头开始设计，可以很好地处理孤立的声音，如语音、声音FX或鼓声循环。它们在全混音中听起来很糟糕，但这不是我们大多数时候所做的。有专为对话、瞬态或有节奏的声音设计的模式，甚至还有两种名为Bad和Worse的创造性音调模式。糟糕是相当糟糕的，但更糟糕的是真的很糟糕。请不要使用更糟糕的。
Envy - "The Green-Eyed Monster of Sound Design" - is all about envelopes, stealing characteristics of one sound and applying them to another.
It's kinda like a morph, but it's really not that. It's part dynamics tool and part vocoder, but you won't use it for either of those things. It's officially a modulation plugin, but that doesn't even begin to explain what it actually does.
Envy is really a toolkit for generating unique new material, adding textures to real world recordings or mutilating sounds to create crazy sci-fi elements. It can fit a wind recording into a machine gun, add wood to foley feet, it can superimpose a drum pattern on a vacuum cleaner, or pitch dive a vocal 6 octaves just for kicks.
Super tight dynamic envelope substitution
Envy can literally fit one sound into the shape of another. The overall dynamic envelope of the source sound is aggressively forced onto the destination sound. So you can very quickly add textures to snares or horse hooves, fit dog snarls into a vocal or screams into a rocket pass-by.
4-band Spectral Envelopes
Like a very broad and gentle vocoder, Envy can apply separate envelopes of 4 frequency bands. The result is that the destination sound starts to speak like the source vocal or drum pattern. The kick plays the kick-drum part, the sibilance opens up at the right times. You'll think you're hearing voices - and you are.
Continuously variable pitch envelopes
Yes, you can actually draw pitch bends onto audio clips. You can make subtle intonation adjustments to dialog, or you can zoom out and draw insane 6 octave random squiggles. You can invert, reverse and undo pitch drawing. There's even a variable speed triangle tool for drawing vibrato that speeds up or down.
Harvest pitch envelopes from existing sounds
Envy can actually read the pitch envelope of your source signal and apply it to other sounds. It works surprisingly well, but even when it doesn't, you're guaranteed to get something interesting, as the result is always based on real events in the source audio. So you can extract the doppler shift in a pass-by and apply it to a wind recording, or invert a bird call to flatten it out.
Unique Audiosuite based workflow
Envy has an unusual workflow but it's incredibly efficient for generating new elements or layers onto your existing work. By sampling envelopes into an Audosuite plugin, Envy can render onto multiple files almost instantaneously, generating an infinite range of new material based on your original source.
All new pitch-shift algorithms
These new pitch algorithms are designed from the ground up to work well with isolated sounds like voice, sound FX or drum loops. They'll sound terrible on a full mix, but that's not what we do most of the time. There are modes designed for dialog, transient or rhythmic sounds, and even two creative pitch modes named Bad and Worse. Bad is pretty bad but Worse really sucks. Please don't use Worse. |
