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支持系统：Windows 

音源厂商：https://www.plugin-alliance.com/en/products/bx_digital_v3.html

独立安装程序 PC 

文件大小：53MB

Brainworx 革命性的旗舰产品 bx_digital 是首款商用的中/侧均衡器插件，至今仍是混音和母带处理领域中至高无上的均衡器。

这款开创性插件的首次重大升级 bx_digital V2 被 Future Music 评为"十年最佳插件"，并迅速成为评判其他均衡器的标准。

这款 11 频段均衡器的前瞻性功能包括：每个通道的参数钟形滤波器、高低架滤波器和高通滤波器和低通滤波器；单声道、双单声道 (L/R)、立体声和中/侧操作模式；中/侧解码器（尤其适用于以超级单声道兼容且极其自然的方式录制原声乐器、鼓组甚至更大型的合奏）；频谱平衡低音和临场感转换器；开创性的 Mono Maker 叠加工具；以及用于高级母带处理的全面的成像、监听和计量功能。

现在更加强大

随着 bx_digital V3 的发布，标准再次提升。此次重大更新将高频频段的上限扩展至 40 kHz，为高分辨率音轨、混音和母带增添甜美和"空气感"。新增了动态均衡器模块、API 风格的比例 Q 值滤波器和六个陷波滤波器（每通道三个），可处理任何精准的混音或母带处理任务，使其成为电影混音和后期制作的理想工具。独特的低音和临场感变换器功能更加丰富，现在每个都提供三种不同的倾斜滤波器供您选择，平衡并揭示混音中隐藏的细节。

V3 通透的高通和低通滤波器现在提供交替斜率，可以塑造音轨的高低端，并更精确地选择性地消除隆隆声和嘶嘶声。全新的全局增益比例控制功能可同时按比例调整所有参数、搁架、低音和临场感偏移滤波器的增益，从而在您调节完美的整体均衡量的同时，保留所有频段精心打造的平衡。

所有这些强大功能都包含在两个工作区中——用于混音和母带处理的独立组件插件——可帮助您提高工作效率。对于不需要精确均衡的单个轨道，"bx_digital V3 mix"插件可通过移除中侧处理和额外的电平表来简化操作。在混音和母带处理期间，在主子组和主立体声总线上使用"bx_digital V3"插件即可展现其强大的功能：完整的中侧均衡控制以及用于均衡前后信号电平、左右平衡和相关性的独立电平表。先进的成像控制功能可让您独立平移混音的中侧通道、加宽立体声声像、交换左右通道以及将幻象立体声声像置于中央。

V3 带来更清晰纯净的混音和母带

V3 并非一款"个性"均衡器。它极其纯净，采用超透明滤波器，最大限度地减少相移和频率掩蔽，从而提供更清晰、更集中的混音和母带。低音和临场感移位器可在相邻频段产生相反的增强和衰减，以防止过多的频谱能量积聚，从而避免混音听起来过于轰鸣、模糊或尖锐。V3 中的每个移位器都提供三种不同的倾斜均衡音色，分别具有不同的增强和衰减频率、带宽和相对增益。

例如，您可以使用它们来增强混音的低音冲击力，同时清除浑浊的低音和中低音。或者，您可以增强临场感，突出吉他和人声，同时柔化刺耳的镲片。您的工作效率将大幅提升：只需单击鼠标并旋转一个旋钮即可！

V3 的全新比例 Q 值滤波器是另一大亮点。这些滤波器会随着您增加或减少增益而逐步调整 Q 值，将增强和衰减精准地集中在需要的位置，而不会影响相邻频段的效果。增强男声的低频，突出歌手强劲的胸腔音域，而不会使中低频浑浊。衰减底鼓音轨中刺耳的中频，同时完整保留鼓槌的高频拍击。V3 精准无误。

V3 更新还将 bx_digital V2 中包含的简单齿音消除器更新为功能更强大的动态均衡器，可以压缩或向上扩展 20 至 22 kHz 的任何频段。当然，动态均衡器仍然可以消除齿音带的人声和镲片。但您也可以使用它来自动衰减原声吉他音轨的低频，仅在吉他声音变得轰鸣时生效，其他时间不进行处理。或者，您也可以用它来增强复杂信号中的低音鼓。您还可以自动抑制人声表演的高频，但前提是歌手的音域达到最高点。

动态均衡器 (Dynamic EQ) 注重音色的一致性，无需耗时的 EQ 自动化。设置非常简单：独奏 (Solo) 功能可让您在调节时听到动态均衡器 (Dynamic EQ) 处理的频段。将速度开关设置为快速 (Fast) 可消除快速的嘶嘶声。

Brainworx's revolutionary flagship product, bx_digital, was the first commercially available Mid/Side equalizer plugin, and it still reigns supreme today as the EQ for mixing and mastering.

The seminal plugin's first major upgrade, bx_digital V2, was voted #1 Best Plug-in of the Decade by Future Music and quickly became the standard by which other equalizers are judged.

The 11-band equalizer's forward-thinking feature set includes parametric bell, high- and low-shelving, and high- and low-pass filters for each channel; mono, dual-mono (L/R), stereo and mid-side modes of operation; a mid-side decoder (especially useful for recording acoustic instruments, drums and even bigger ensembles in a super mono-compatible and extremely natural way); spectrum-balancing Bass and Presence Shifters; the pioneering Mono Maker summing tool; and comprehensive imaging, monitoring and metering facilities for high-level mastering.

Now Even More Powerful

With the release of bx_digital V3, the bar just got raised again. The major update extends the High Frequency band's upper range to 40 kHz to sweeten and add 'air' to high-resolution audio tracks, mixes and masters. A Dynamic EQ module, API-style Proportional Q filters and six notch filters (three per channel) have been added to handle any surgical mix or mastering task, making it a perfect tool for film mixing and post production as well. The unique Bass and Presence Shifters have been made much more versatile, each now offering a selection of three different tilt filters that balance and unmask hidden details in your mixes.

V3's transparent high pass and low pass filters now provide alternate slopes to sculpt your tracks' high and low end and selectively weed out rumble and hiss with greater precision. And the new, global Gain Scale control makes proportional gain changes to all parametric, shelving, and Bass and Presence Shift filters at once—preserving your carefully wrought balance across all bands as you dial in the perfect overall amount of EQ.

All this power comes in two workspaces—separate component plugins for mixing and mastering—to help you work faster. On individual tracks that don't need surgical equalization, the "bx_digital V3 mix" plugin simplifies operation by excluding mid-side processing and additional meters. On your main subgroups and the master stereo bus during mixdown and mastering sessions, use the "bx_digital V3" plugin to roll out the big guns: a full complement of Mid/Side equalization controls and separate meters for pre- and post-EQ signal levels, L/R balance and correlation. Advanced imaging controls let you independently pan your mix's mid and side channels, widen the stereo image, swap left and right channels and center the phantom stereo image.

V3 for Clearer and Cleaner-Sounding Mixes and Masters

V3 is not a "character" EQ. It's eminently pristine, using ultra-transparent filters that minimize phase shift and frequency masking to deliver clearer and more focused mixes and masters. The Bass and Presence Shifters produce opposing boosts and cuts in adjacent bands to prevent excess spectral energy buildup that can make mixes sound boomy, blurry or edgy. Each Shifter in V3 offers a selection of three different tilt-equalization sounds featuring different boost and cut frequencies, bandwidths and relative gain.

Use them, for example, to boost your mix's low-bass punch while simultaneously clearing out muddy upper-bass and low-midrange frequencies. Or increase presence to spotlight guitars and vocals, while softening searing cymbals. You'll work faster: a mouse click and single knob twist are all it takes!

V3's new Proportional Q filters are another huge plus. These filters progressively adapt the Q as you increase or decrease gain, focusing your boosts and cuts exactly where they're needed and without suffering tradeoffs in neighboring bands. Boost bass frequencies on male vocals to accentuate the singer's powerful chest register—without muddying the lower midrange. Cut honky midrange frequencies on the kick drum track while fully preserving the beater's high-frequency slap. V3 is precise.

The V3 update also updates the simple De-Esser that was included in bx_digital V2 to a much more versatile Dynamic EQ that can compress or upwardly expand any frequency band from 20 to 22 kHz. Sure, the Dynamic EQ can still de-ess sibilant vocals and cymbals. But you can also use it to automatically attenuate bass frequencies on an acoustic guitar track only when the guitar gets boomy, leaving it unprocessed at all other times. Or use it to boost bass drums in complex signals. You can also tame the high frequencies of a vocal performance automated, only when a singer hits the top of their range.

The Dynamic EQ is all about consistent tone—and less need for time-consuming EQ automation. Setup is a snap: a Solo function lets you hear the frequency band that the Dynamic EQ will treat as you dial it in. Set the Speed switch to Fast to nip speedy sibilance