MetaVocals是一个简单、快速且功能强大的工具，用于修复、编辑、增强、扩展和篡改歌曲中的人声。
凭借其简洁的界面，它是围绕实时自动调优引擎构建的。该工具实时检测输入信号的音调，并根据设置以平滑自然的方式纠正语调。在几秒钟内优化人声。
为了进行更深入的编辑，MetaVocals可以将整个曲目作为MIDI事件输出，您可以在主持人的编辑器中详细编辑。没有与外部软件的接口，没有繁重的接口，只有标准的MIDI编辑器。然后在播放时输入MIDI。对调音和加倍/协调进行全面控制。
实例分组使整首歌曲的设置（例如更改键？）变得简单有效。
一旦主音完美精炼，MetaVocals就开始变得有创意。在主曲目的顶部可以生成两个额外的声音，用于加倍和和声。只需将其他声音的相对位置设置为半音，并让它们与主音一起演奏。在需要时通过MIDI事件动态控制它们。
为了更具创造性地使用并开始进入野外，请使用合成器模式。输入信号被转换为合成声音，由人声参数控制。可选和声也是如此。
更进一步，启用声码器模式。人声的整体频谱控制着合成声音和可选加倍/和声的音色。
快速、简单、非常强大。对我们来说，最好的自动调音和协调效果。
MetaVocals is an easy, quick and super-versatile tool for fixing, editing, enhancing, expanding and mangling vocals in a song.
With its plain interface, it is built around a realtime auto-tuning engine. The tool detects incoming signal's pitch in realtime and, depending on the settings, corrects the intonation in a smooth and natural way. Refine vocals in seconds.
For deeper editing, MetaVocals can output the whole track as MIDI events you can edit in detail in your host's editor. No interfacing to external software, no heavy interfaces, just your standard MIDI editor. Then it gets MIDI in while playing. Total control on the tuning and the doubling/harmonising.
Instance grouping makes setting a whole song (e.g. changes of key?) easy and effective.
Once the main vocals are perfectly refined, MetaVocals starts becoming creative. Two additional voices can be generated on top of the main track, for doubling and harmonies. Simply set the relative position of the additional voices as semitones and let them play with the main vocals. Dynamically control them through MIDI events where needed.
For an even creative use and to start going into the wild, engage the synthesizer mode. Incoming signal gets converted to a synthetic sound, controlled by vocals' parameters. The same for optional harmonies.
Even further, engage the Vocoder mode. Overall spectrum of vocals controls the timbre of the synthesized sound and of optional doubling/harmonies.
Quick, simple, extremely powerful. For us, the best automatic-tuning and harmonising effect.
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