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Toontrack The Drum Factory SDX 大师鼓组扩展包 |
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支持系统：Windows MAC |
音源厂商：https://www.toontrack.com |
使用 Superior Drummer v3.4.3 加载 |
文件大小：130GB |
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对于Sylvia Massy来说，没有什么能说你不能通过花园里的水管来传递声音，把一个旧的旋转电话重新设计成麦克风，或者把吉他上的拾音器用作鼓的辅助房间麦克风。她所做的一切都带有俏皮的转折，增添了一层独特的性格，使每一个声音都毫无疑问地属于她。这种无畏的好奇心使她成为现代录音领域最具特色的工程师之一，在各种流派中都获得了认可，并与从《唐的工具和系统》到约翰尼·卡什和杰森·伊斯贝尔等艺术家合作。对于这个项目，她将同样的无限创造力带到了法国南部——也是法国最具传奇色彩的工作室之一——为《超级鼓手3》创作了她的终极扩展。期待意外。 这家19世纪的丝绸纺织厂位于普罗旺斯圣雷米乡村的一条乡村小路尽头，是欧洲最具标志性的工作室之一La Fabrique的所在地。在里面，吱吱作响的门通向迷宫般的走廊，你走进的每个房间都排列着从复古到现代的家具和装备的折衷组合。 工作室有四个独特的环境，每个环境都精心搭配了精心挑选的工具包。在100平方米的巨大暗室中，有10米高的天花板，记录了一组8汤姆的章鱼。这个空间被有着数百年历史的石墙环绕，提供了一种强大而有力的撞击力——非常适合大声的岩石和金属。在更亲密的图书馆里，捕捉到了两个独特的20世纪60年代古董，它们有着古怪的、太空时代的外壳——听起来和看起来一样大胆。穿过庭院，拱廊（33乘10米，天花板6米）提供了另一个广阔的混响环境。在这里，木制天花板和厚重的窗帘将石墙上的倒影散射开来，营造出与暗室形成鲜明对比的氛围。最后，在工厂，对两个2000年代的工具包进行了采样。这个房间的色调完全由12世纪的石头建造而成，具有与其他任何东西都不同的自然大厅般的混响。 除了鼓，这款SDX还附带了基本的MIDI集合以及近70个混音就绪预设。这些预设使用了不同的麦克风混音、路由和饱和度——有些甚至叠加了Sylvia自己的单次采样，以进行额外的增强、拍打和攻击。 据说西尔维娅曾经把一把吉他和放大器从悬崖上扔下来，以捕捉它在坠落过程中的坠落、反馈和噪音。在录制这张SDX的过程中，没有鼓受到伤害，但请放心，在西尔维娅的掌舵下，普通鼓不在拍摄名单上。这是一个你不仅需要听到，而且需要体验的。如果你准备好破坏你的创造力，欢迎来到西尔维娅的世界。 由Sylvia Massy（Tool，System of a Down）制作和设计，她是格莱美奖获奖制作人/工程师/混音师，拥有超过25张金唱片和白金唱片认证 To Sylvia Massy, there's nothing that says you can't run sound through a garden hose, reengineer an old rotary phone into a mic, or use the pickups on a guitar as a secondary room mic for drums. Everything she does carries a playful twist, adding a unique layer of character that makes every sound unmistakably hers. That fearless curiosity has made her one of the most distinctive engineers in modern recording, earning recognition across genres and credits with artists ranging from Tool and System of a Down to Johnny Cash and Jason Isbell. For this project, she brought that same boundless creativity to Southern France – and one of its most legendary studios – to create her ultimate expansion for Superior Drummer 3. Expect the unexpected. Tucked away at the end of a village road in the Saint-Rémy-de-Provence countryside, the once 19th-century silk-spinning mill houses one of Europe's most iconic studios, La Fabrique. Inside, squeaky doors open into labyrinth-like hallways and every room you walk into is lined with an eclectic mix of furniture and gear spanning vintage to modern. The studio features four unique ambiences, each carefully paired with handpicked kits. In the massive 100-square-meter Dark Room, with its 10-meter-high ceiling, an eight-tom set with octobans was recorded. Surrounded by centuries-old stone walls, this space delivers a powerful, hard-hitting smack – perfect for loud rock and metal. In the more intimately set Library, two distinctive vintage 1960s oddities with eccentric, space-age-looking shells were captured – both sounding as bold as they look. Across the courtyard, the Arcades – measuring 33 by 10 meters with a six-meter ceiling – offers another expansive, reverberant environment. Here, a wooden ceiling and heavy curtains diffuse reflections off the stone walls, creating an ambience that contrasts beautifully with the Dark Room. Finally, in the Mill, two 2000s-era kits were sampled. The tone in this room, built entirely from 12th-century stone, has a natural, hall-like reverb unlike anything else. In addition to the drums, this SDX comes with a basic collection of MIDI as well as close to 70 mix-ready presets. These presets utilize different mic blends, routing and saturation – some even layering Sylvia's own one-shot samples for extra augmentation, smack and attack. It's been said that Sylvia once threw a guitar and amplifier off a cliff to capture the fall, feedback and noise it made on the way down. During the recording of this SDX, no drums were harmed, but – rest assured – with Sylvia at the helm, ordinary isn't on the setlist. This is one you need to not only hear, but experience. If you're ready to unhinge your creativity, welcome in to Sylvia's world. Produced and engineered by Sylvia Massy (Tool, System of a Down), Grammy Award-winning producer/engineer/mixer with over 25 gold- and platinum-album certifications |