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Indigisounds Chutney and Tassa Starter Pack KONTAKT 印度打击乐

支持系统:Windows MAC

音源厂商:https://www.indigisounds.com/

使用采样器:Kontakt 7. Kontakt 8加载

文件大小:1.4GB



加勒比地区废除奴隶制后,东印度契约劳工来到西印度群岛,将另一种文化带到了这片大熔炉。他们带来的最重要的元素是他们的音乐身份。东印度契约劳工主要来自印度斯坦地带,主要在特立尼达和多巴哥、苏里南和圭亚那种植甘蔗。

本样本库包含西印度克里奥尔音乐创新史上出现的两种主要音乐流派,这两者都是东印度移民在加勒比地区生活的成果。

酸辣酱音乐源自博杰普尔民间音乐。主要使用的乐器是簧风琴、丹塔尔琴和多拉克琴。这种传统的酸辣酱音乐是加勒比地区印度侨民原始而有机表达的开创性形式。多年来,Chutney 的旋律和节奏不断演变,以适应科技和品味的变化,并随着狂欢节产业的蓬勃发展而不断发展,最终催生了 Chutney-Soca 这一跨界音乐流派。然而,Chutney 仍然保留了多拉克(dholak)的狂热节奏,以及簧风琴的旋律奔放和舒缓的嗡嗡声,以及传统的旋律和编曲。您可以轻松访问一个包含多拉克、丹塔尔(dhantal)和簧风琴样本和循环乐曲库。此外,还包含一些流行的即兴表演和表达方式的声乐样本,为您的作品增添即兴的魅力。

塔萨鼓源自印度北部和中部平原。主要使用的乐器包括多拉克鼓(Dhol,即低音鼓)、加勒比地区与纳加拉(nagara)相对应的库特鼓(kutter)以及詹吉钹(Jhanj)。塔萨鼓极具感染力的节奏已成为这个双岛共和国庆祝活动的代名词。雷鸣般的低音伴随着尖锐的kutter琴声,唤醒身体,使其随之律动。Tassa是所有传统印度婚礼和庆典的必备乐器,如今可无缝融入任何音频制作。其极具感染力的效果可应用于任何打击乐合奏和创意。

功能:
超过3100个手工制作的音乐样本:
+ Chutney
- Harmoniums – 2 x – 单击 x 3个力度层和模拟噪音。
- Dhatal –
/-/ 单击 -1 x – 2个麦克风位置、5个力度层和4个循环。
/-/ 循环 – 超过12个标志性节奏(44.1KHz)。
- Dholak –
/-/ 单击 - 3 x – 2个麦克风位置、5个力度层和4个循环。
/-/ 循环 – 超过52个标志性节奏(44.1KHz)。
- 即兴演奏 [/i]– 14 x – Chutney 男声和女声即兴演奏。[/i]

+ Tassa
- Kutter
/-/ 一击 – 5 x – 2 种麦克风位置、5 种力度层和 4 种循环。
/-/ 循环 – 63 种标志性节奏 (44.1KHz)。
- Dhol
/-/ 一击 – 3 x – 2 种麦克风位置、5 种力度层和 4 种循环。
/-/ 循环 – 7 种标志性节奏 (44.1KHz)。
- Jhanj
一击 – 2 x – 2 种麦克风位置、5 种力度层和 4 种循环。
循环 – 8 种标志性节奏 (44.1KHz)。

所有节奏均经过节奏对齐,以提高可玩性。
可选择访问速度、调音、量化、启动和保持功能(主页)。
可选择访问倒放、合唱、移相、混响延迟和滤波器(FXPage)。
可选择轻松访问标志性的 Indigisounds Breakaway 响度。
支持 NKS 的 KONTAKT、KONTAKT PLAYER、KOMPLETE 作为 VST 或 AU 插件,可在乐谱软件和数字音频工作站上播放。
……作为制作人,您拥有无限可能……
主页

In the aftermath of the abolition of slavery in the Caribbean, the East Indian indentured labourers arrived bringing with them another culture to the melting pot of the West Indies. Foremost of the elements which they brought with them was their musical identity. East Indian indentured labourers came mainly from the Hindustan belt to cultivate the sugar plantations predominantly in Trinidad and Tobago, Suriname, and Guyana.

This sample library offer comprises the two major musical sub-genres to emerge within the history of West Indian Creole musical innovations, both of which are the result of the East Indian immigrant presence in the Caribbean.

Chutney music evolved from the Bhojpuri folk music. The primary instruments used are the harmonium, dhantal, and dholak. This traditional chutney sound is the seminal form of original and organic expression of the Indian diaspora in the Caribbean. The Chutney melodies and rhythms have evolved over the years to adapt to changes in technology and taste while moving forward with the strides in the Carnival industry, giving rise to the crossover genre of Chutney-Soca. However, Chutney still retains the frenetic rhythms of the dholak coupled with the melodic runs and soothing hums of the harmonium as well as traditional melodies and arrangements. At your fingertips is a library of authentic dholak, dhantal and harmonium samples and loops. Vocal samples of popular ad-libs and expressions also are included to help bring that instant flair to your productions.

The Tassa drums evolved from the North and Central Plains of India. The main instruments used are the Dhol or bass drum, the Caribbean equivalent of nagara known as the kutter drum, and the Jhanj cymbal. Tassa's infectious rhythm has become synonymous with the celebration in the twin-island Republic. The thunderous bass accompanied by the piercing kutter awakens the body to move to its command. A mainstay at all traditional Indian weddings and festivities, the Tassa can now be adapted seamlessly into any audio production. Its infectious effect can be applied to any percussive ensembles and ideas.

Features:
Access to over 3100 handcrafted music samples of:
+ Chutney
- Harmoniums – 2 x – single strike x 3 velocity layers and modeled noises.
- Dhatal –
/-/ Single Strike -1 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
/-/ Loops – Access over 12 signature rhythms(44.1KHz).
- Dholak –
/-/ Single Strike – 3 x – 2 microphone placements, 5 velocity layers, and 4 round robins).
/-/ Loops – Access over 52 signature rhythms (44.1KHz).
- Ad-libs [/i]– 14 x – Chutney male and female Ad-libs.[/i]

+ Tassa
- Kutter
/-/ Single Strike – 5 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
/-/ Loops – 63 signature rhythms(44.1KHz).
- Dhol
/-/ Single Strike – 3 x – 2 microphone placements, 5 velocity layers, and 4 round robins).
/-/ Loops – 7 signature rhythms(44.1KHz).
- Jhanj
Single Strike – 2 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
Loops – 8 signature rhythms(44.1KHz).

All rhythms are tempo-aligned to improve playability.
Option to access speed, tuning, quantization, attack and hold features(Main Page).
Option to access reverse, chorus, phaser, reverb delay, and filter (FXPage).
Option to access the signature Indigisounds Breakaway loudness at the convenience of your fingertips.
Playback capability for music notation software and Digital Audio Workstations using NKS ready KONTAKT, KONTAKT PLAYER, KOMPLETE as a VST or AU plugin.
…..The possibilities for you the producer are endless…
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