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支持系统：Windows.MAC

音源厂商：https://impactsoundworks.com/product/resonance-emotional-mallets

使用采样器：Kontakt 7 或Kontakt 8 版本加载

文件大小：10GB

当我们着手创建一个由定制的独特乐器组成的全新音色库时，最初只计划使用一些深度采样的声音。然而，随着 Resonance 的愿景逐渐清晰，我们决定，打造一整套这样的深度采样乐器音色库，对于所有类型的作曲家和制作人来说，这都将是一个不可思议的工具，适用于各种类型的音乐创作者。随着录音的进展，我们不断尝试新的技术、麦克风和工具；我们发现的每一个新声音都令人振奋，必须将其融入其中。

在梳理录音的过程中，我们发现这些丰富的声音已经为进一步的声音设计做好了准备。在程序员兼声音设计师 Iain Morland 的帮助下，我们自主创作了一套基于原始音频的多功能纹理、氛围、铺底、贝斯、主音、冲击音和打击乐。与我们的其他音色库一样，我们希望 Resonance 能够立即上手、实用且直观易用。

这个音色库的设计目标并非"史诗级"——尽管您当然可以用它来打造这样的音色。市面上有无数的采样库，专注于宏大、响亮的打击乐，或浸润在混响中的戏剧性声音。而我们的愿景是，在更私密的环境中捕捉这些令人惊叹的现成乐器和定制乐器；近距离拾音，并融入一丝室内空气（当然，还要有极强的深度！）。受托马斯·纽曼和丹尼·埃尔夫曼等作曲家的启发，我们希望 Resonance 中丰富的音色既实用又能激发灵感。

界面
Resonance 共包含 33 个"自然"音色和 49 个"设计"音色，由 14 种不同的乐器或合奏构成。其中许多乐器是由 Elemental Percussion 的 Jim Doble 创作的，我们非常感谢他精湛的技艺。其他一些则是一些更简单的现成金属，例如薄片、锅盖、乐谱架、螺栓和军鼓线。我们用手指、手掌，当然还有各种槌子（软槌、木槌、橡胶槌和金属槌）来演奏这些乐器。我们还使用了大提琴弓来营造出截然不同的延音效果。

自然音色包含多种适用的木槌音色，以及调音/半音阶与自然音色的版本，以及"效果"音色。这些效果音色不包含外部处理，但包含刮擦音、冲击音、滑音以及其他各种非传统或"预设"的演奏技巧。我们尽量减少外部处理和编辑，除了在需要时进行轻微的降噪和均衡处理外，保留乐器的自然音色。

设计音色分为六个类别：冲击音色和效果、主音和贝司音色、音色​​垫、打击乐音色、纹理和氛围音色以及键盘和木槌音色。这些音色基于自然音色样本构建，但在许多情况下包含使用各种工具进行广泛处理的全新音频。我们相信您会发现这些音色在各种风格中都非常有用！

When we set out to create a new library built from custom, unique instruments, we were initially planning on just a few deep-sampled sounds. However, as the vision for Resonance became clearer, we decided that a whole collection of such deep-sampled instruments would be an incredible tool for all types of composers and producers working in any number of genres. As the recording sessions progressed, we constantly experimented with new techniques, mics and tools; each new sound we discovered was inspiring and had to be included.

As we combed through the recordings, we found that the wealth of sounds were ripe for further sound design. With the help of programmer and sound designer Iain Morland, we took it upon ourselves to create a suite of versatile textures, ambiances, pads, basses, leads, impacts and percussion built from the original audio. As with our other libraries, we intended for Resonance to be immediately playable, useful and intuitive.

This library was not designed to be "epic" – though you can certainly use it for that. There are countless sample libraries available that focus on big, loud percussion, or dramatic sounds soaked in reverb. Our vision was instead to capture these amazing found & custom instruments in a more intimate setting; close-miced with a touch of room air (and in great depth, of course!) Inspired by composers like Thomas Newman and Danny Elfman, we hope you will find the wide variety of timbres in Resonance to be as usable as they are inspiring.

Interface
Resonance contains a total of 33 "Natural" patches and 49 "Designed" patches built from 14 distinct instruments or ensembles. Many of the instruments were created by Jim Doble of Elemental Percussion, to whom we are very grateful for his fantastic craftsmanship. Others were more simple found metals, such as sheets, pot lids, a music stand, bolts and snare wires. We played the instruments using our fingers, hands, and of course, various mallets (soft, wood, rubber and metal). We also used a cello bow to evoke very different sustained tones.

The Natural patches include multiple mallet types where applicable, as well as tuned/chromatic vs. natural versions and "FX" patches. These FX patches do not include external processing, but include things like scrapes, impacts, glissandi and various other non-traditional or 'prepared' playing techniques. We used a minimum of external processing and editing, instead choosing to leave the natural sound of the instruments untouched aside from minor noise removal and EQ where needed.

The Designed patches are split into six categories: Impacts & FX, Leads & Basses, Tonal Pads, Percussion, Textures & Ambiance, and Keyboards & Mallets. These patches are built on the Natural samples, but in many cases include entirely new audio processed extensively with a variety of tools. We think you'll find these sounds very useful in any number of styles!