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8Dio The New Cajon and Bongo 卡洪鼓和邦戈鼓\箱鼓 |
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支持系统:Windows.MAC |
音源厂商:https://8dio.com/products/the-new-cajon |
使用采样器:Kontakt 7. Kontakt 8加载 |
文件大小:651MB |
人人皆可演奏的打击乐 卡洪鼓和邦戈鼓背后的历史充满了黑暗与绝望。卡洪鼓起源于西非和中非的奴隶,它是一种木箱,第六面钉上一块木板作为打击面。卡洪鼓在古巴音乐中极具特色,邦戈鼓也传统上与卡洪鼓相伴。邦戈鼓也是由奴隶从非洲带到古巴的,两者都常用于萨尔萨舞、伦巴舞、昌吉舞和其他传统音乐风格。卡洪鼓的现代版本常见于西班牙弗拉门戈音乐中,但这种乐器相对较新。卡洪鼓由弗拉门戈大师帕科·德·卢西亚于20世纪70年代引入,如今已成为西班牙吉他音乐的标准乐器。 我们决定通过采样两套专业卡洪鼓(小军鼓和非小军鼓)和三套专业邦戈鼓(小、中、大)来深入探索这两种乐器。我们将鼓组录制为合奏、分奏和单独的独奏乐器,让您可以构建自己的自定义合奏规模。我们还对这两种乐器进行了近距离和干式采样,使用了手、手指、木槌、鼓棒和鼓刷。我们确保所有乐器都覆盖了各种不同的演奏表面。卡洪鼓的录制采用了两种不同的麦克风位置(内置和外置),并且所有乐器都在温暖、略带湿润的木质打击乐工作室进行了二次采样,以提升用户的灵活性。此外,我们还特别添加了一个合奏拍手声、弹指声和Hotrod鼓棒敲击声的特别部分。音色库中的所有乐器每个力度层都有10个循环采样,每个力度层最多可有10个。这是采样史上最详细的卡洪鼓和邦戈鼓合奏及独奏音色库。 PERCUSSION FOR ALL The history behind The Cajon and Bongo is one of darkness and despair. A wooden box with a sheet of wood nailed on as the sixth side acting as the striking surface, the Cajon Drum originated from Slaves of West and Central African origin. The Cajon is a highly featured instrument in Cuban music, which also traditionally contains the Bongo. The Bongo was also brought from Africa to Cuba by slaves, and both are often featured in salsa, rumba, changui, and other traditional styles. The modern adaptation of the Cajon is often found in Spanish flamenco music; however, this is relatively new. The Cajon was introduced by the flamenco master, Paco De Lucia, during the 1970s and is now a standard instrument in Spanish guitar music. We decided to explore both instruments extensively by sampling two sets of professional Cajons (snare and non-snare) and three sets of professional Bongos (small, medium, and large). We recorded the drums as ensembles, divisi, and individual solo instruments, allowing you to build your own custom ensemble size. We have also sampled both types of instruments close and dry, using hands, fingers, mallets, sticks, and brushes. We made sure to cover a massive range of different playing surfaces on all instruments. The Cajons were recorded with two different microphone positions (internal and external), and everything was sampled a second time, in a warm, slightly wet wooden percussion studio, to allow for more user flexibility. As a bonus, we've included a special section of ensemble hand claps, finger snaps, and hotrod stick clacks. All instruments in the library have 10 round robins per velocity layer, and up to 10 velocity layers each. This is the most detailed ensemble and solo Cajon and Bongo library in the history of sampling. |