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支持系统：Windows

音源厂商：https://www.uvi.net/en/world/nagoya-harp.html

使用 猎鹰合成器 UVI - Falcon v3 加载

文件大小：6.4GB

我们开发 Nagoya Harp 的目标是创造一种既能满足传统主义者又能满足现代制作人的乐器，提供古典乐器的准确和令人信服的声音，同时通过扩展的演奏技巧、表演脚本和效果深入新领域，以激发各种背景的音乐家。Nagoya Harp 拥有超过 20,000 个样本，是一个超越流派的集合，专为那些喜欢优美传统音调的人和当代前卫探索者而创建。

提供多种演奏风格，将详尽而详细的样本库与创新的表演脚本相结合，以准确再现弹奏动作和和声互动。录音使用了拨片、琴弓、鼓槌、手掌闷音、锤击和拉弦、多种弦音配置和调音，提供从自然而富有表现力的旋律进程和节奏琶音到原始、调制的和声嗡嗡声的一切。我们使用多个麦克风来捕捉每个样本，包括 Royer SF-24、Neumann U67 和 Bruel & Kjaer 4006；所有麦克风都配有离散电平控制，以实现最大的灵活性。

Nagoya Harp 中的效果系统提供了令人难以置信的声音塑造能力，从高品质的卷积和算法混响，到驱动、合唱、移相和延迟等创意效果，以及 3 频段均衡器，可帮助您快速平衡混音中的声音。这需要一个已经充满活力和表现力的乐器，并打开一切大门，从自然空间中的纯声学声音到强大的吉他般的音调和环境、褪色的嗡嗡声。快速浏览包含的预设以寻找灵感，或者在整齐排列且功能强大的用户界面中深入设计自己的声音。

历史
1912 年，受邀出国学习乐器的 Gorō Morita 在日本名古屋创作了他的“Taishōgoto”。名古屋竖琴将打字机的机械结构与传统的 Koto 或自动竖琴相结合，为日本提供了更实惠的西方 12 音半音阶。世界上其他地方也可以找到类似的乐器设计，其中最古老的是瑞典的 Nyckelharpa，可追溯到中世纪。其他乐器，如德国 Akkordolia，是与名古屋竖琴同时开发的。还有一些，如来自印度的 Bulbul Tarang，直接从名古屋竖琴演变而来。

Our goal in developing Nagoya Harp was to create an instrument that would satisfy both the traditionalist and modern producer, providing the accurate and convincing sound of the classical instrument while also delving into new territory with expanded playing techniques, performance scripts and effects to inspire musicians of all backgrounds. With over 20,000 samples, Nagoya Harp is a collection that transcends genre, created for those with an affinity for beautiful traditional tones and contemporary explorers of the avant garde.

Multiple playing styles are available, combining an exhaustive and detailed sample library with innovative performance scripts to accurately reproduce strumming movements and harmonic interaction. Recordings were made with plectrum, bow, sticks, palm muting, hammer-ons and pull-offs, multiple una corda configurations and tunings, providing everything from natural and expressive melodic progressions and rhythmic arpeggios to primal, modulating harmonic drones. Multiple mics were used to capture each sample, including a Royer SF-24, Neumann U67 and Bruel & Kjaer 4006; all of which are presented with discrete level control for ultimate flexibility.

The effect system in Nagoya Harp provides incredible sound-shaping power, from high-quality convolution and algorithmic reverb, creative effects like drive, chorus, phaser and delay, and a 3-band EQ to help you quickly balance the sound in your mix. This takes an already dynamic and expressive instrument and opens the door to everything from pure acoustic sound in natural spaces to powerful, guitar-like tones and ambient, washed-out drones. Quickly jump through the included presets to find inspiration or dive in and design your own sounds within the neatly-arranged and powerful user interface.

History
Tasked with studying instruments abroad, Gorō Morita created his 'Taishōgoto' in Nagoya, Japan, 1912. Combining the mechanics of a typewriter with a traditional Koto or autoharp, the Nagoya Harp provided Japan with more affordable access to the 12-tone chromatic scale of the West. Similar instrument designs can be found elsewhere in the world, the oldest of which, the Nyckelharpa from Sweden, dates back to the middle ages. Others, such as the German Akkordolia, were developed around the same time as the Nagoya Harp. And some, like the Bulbul Tarang from India, evolved directly from the Nagoya Harp.