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支持系统：Windows.MAC

音源厂商：https://cinesamples.com/

使用采样器：Kontakt 7. Kontakt 8加载

文件大小：6.5GB

Cinesamples 隆重推出全新音色库系列——WORLD SERIES！首发系列隆重推出扬琴和齐特琴家族，扬琴和齐特琴是世界各地作曲家们钟爱的乐器。扬琴和齐特琴音色库在洛杉矶著名的 Firehouse 录音棚录制，并由备受尊敬的工程师 Tim Starnes 混音，将为任何配乐库增添惊艳的色彩和光彩。

Cinesamples WORLD SERIES：扬琴和齐特琴音色库因其乐器的选择和录音技术的精湛技艺，在音色和简洁性方面均无与伦比。该音色库由作曲家设计，专为作曲家打造，并在开发过程中直接听取了电影音乐界的反馈。最终，该音色库易于使用，方便作曲家使用，并且开箱即可获得专业级的混音效果，且对录音棚硬件要求不高。

该音色库由蒂姆·斯塔内斯 (Tim Starnes) 精心录制和设计，他是电影配乐界经验最丰富、备受追捧的音乐编辑和录音工程师之一。他曾与好莱坞众多现任和前任一线作曲家合作。他参与制作的作品包括《金刚》(2005)、《指环王 II & III》(2002, 2003)、《飞行者》(2004)、《无间行者》(2006)、《记住我》(2010)、《暮光之城：月食》(2010)、《雨果》(2011) 以及《特别响，非常近》(2011)。蒂姆·斯塔内斯参与了配乐的创作、录制和混音阶段，这赋予了他独特的理解，使其能够忠实地还原好莱坞的声音。继《战鼓》等成功合作之后，Cinesamples 很荣幸再次邀请他担任该音色库的录音工程师。

用于录制扬琴和齐特琴的录音室——Firehouse 录音室——同样拥有令人印象深刻的声望，曾为无数电影、电视节目和业内资深人士录制音乐，例如艾瑞莎·弗兰克林、奇克·柯瑞亚、赫比·汉考克和兰迪·纽曼等。

音色列表

01 扬琴琴槌
02 扬琴毡
03 齐特琴
04 尤克里里琴
05 效果器

关于音色

所有音色通常包含以不同动态录制的敲击音色和/或拨弦音色，最多可进行 10 次循环采样。根据乐器的不同，我们使用不同的槌、琴槌、琴弓、拨片和指拨音色，并在多个麦克风位置录制样本。

用户可以从 3 个麦克风位置中进行选择——近距离、房间和全混音，后者包含近距离/房间和其他麦克风的混音。我们还精心挑选了要录制的乐器，以确保最佳音质。

最引人注目的选择是钢琴扬琴，它经过半音采样（10RR），以重现该乐器典型的立体声声像。我们还试听了几个木槌，并做出了最实用、最具艺术感的选择。

除了延迟、混响和包络控制等常规的 GUI 功能外，我们还在该音色库中引入了我们自己的琶音器。此功能将使用户可以控制琶音的不同模式，包括与用户所选 DAW 中的宿主节奏同步。

Cinesamples is proud to present our new line of libraries - The WORLD SERIES! The first installment introduces the family of the Dulcimer and Zither, a favored instrument color by composers throughout the ages and around the globe. Recorded at the famous Firehouse Recording Studios in Los Angeles, and mixed by esteemed engineer Tim Starnes, the Dulcimer and Zither library will add stunning brilliance and color to any scoring palette.

The Cinesamples WORLD SERIES: Dulcimer & Zither is unmatched in its sound and simplicity due to the choice of instruments and recording technique. The library was designed by composers, for composers, with direct feedback from the film music community during its development. The result is a library that is easy to use, composer-friendly, and sounds professionally mixed right out of the box without being too demanding on studio hardware.

The library was meticulously recorded and engineered by Tim Starnes, one of the most seasoned and sought-after music editors and recording engineers within the film scoring business. He has worked with most of the current and former A-list composers of Hollywood. His credits include productions such as King Kong (2005), The Lord of the Rings II & III (2002, 2003), The Aviator (2004), The Departed (2006), Remember Me (2010), Twilight: Eclipse (2010), Hugo (2011), and Extremely Loud and Incredibly Close (2011). Tim Starnes' presence at the composition, recording, and mixing phases of the score gave him the unique understanding needed to faithfully emulate the sound of Hollywood. After previous successful collaborations such as "Drums of War," Cinesamples is proud to once again be fortunate enough to have him as a recording engineer on this library.

The studios used for Dulcimer & Zither - Firehouse Recording Studios - offer an equally impressive pedigree, having recorded the music for countless movies, TV shows and industry veterans such as Aretha Franklin, Chick Corea, Herbie Hancock, and Randy Newman, among others.

PATCH LIST

01 Dulcimer Hammer
02 Dulcimer Felt
03 Zither
04 Ukelin
05 FX

ABOUT THE PATCHES

All patches generally contain hits and / or plucks recorded at varying dynamics with up to 10 round robins. Depending on the instrument, we recorded samples using different mallets, hammers, bows, plectrums and finger plucks in several mic positions.

Users can choose from 3 microphone positions - Close, Room, and Full Mix which contains a mix of Close/ Room and additional microphones. We also carefully chose the instruments that were to be recorded in order to ensure the best sound quality.

The most notable choice was the piano dulcimer which was sampled chromatically (10RR) to reproduce the typical stereo image of the instrument. We also auditioned several mallets and made the most useful and artistic choices.

In addition to general GUI functions such as Delay, Reverb, and Envelope Control, we are also introducing our very own Arpeggiator with this library. This feature will give users control over alternate modes of arpeggios, including the ability to sync to the host tempo in the user's DAW of choice.