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Cinesamples CineBells v1.2a KONTAKT 钟琴\旋律打击乐 |
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支持系统：Windows.MAC |
音源厂商：https://cinesamples.com/ |
使用采样器：Kontakt 7. Kontakt 8加载 |
文件大小：10GB |
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我们在此呈现一个专注、整洁的合集，其中包含精心录制、可叠录、音准精准的快乐音色。这是一个高达 10GB（压缩后的 NI NCW）的音色钟琴、扬琴和键盘合集，专为构建音调律动元素而设计。多年来，我们一直致力于制作由各种小型打击乐元素组成的典型电影音调律动，例如鼓槌、原木、沙铃、响棒、铃鼓、手指镲以及其他无音调的乐器——然而，音调元素的缺失却尤为明显。 部分灵感源自 Radiohead 的《No Surprises》和 Green Day 的《Wake Me Up When September Ends》中那些悦耳的音调打击乐叠录曲目，我们着手制作一个能够轻松融入任何类型曲目的音色库。除了运用现代采样的制作技术外，我们还必须格外用心地驯服这些极具语言张力的乐器；尤其是槌式键盘，它们的声音足以在音乐厅中盖过整支管弦乐队的喧嚣。我们结合乐器处理、柔和的槌式键盘、小型铅笔电容麦克风以及顶级甲级外置设备（Lexicon PCM 91、Avalon 2055 EQ、Waves L2 硬件限制器和 Manley Variable Mu），成功捕捉到了一个极其实用的混音。您将听到极其纯净的信号，瞬态流畅、高音通透、中音温暖，低音饱满，并带有恰到好处的氛围，避免了单调乏味。我们还加入了真正的单声道；一个麦克风（而非伪造的立体声折叠麦克风），因为它在录音棚中 90% 的此类情况下都会使用。我们捕捉到了一种真实而熟悉的声音——希望您的客户在听到您的提示时能够感受到，而不是直接注意到。 CINEBELLS V1.1 新功能 我们全新的吉他铃铛泛音音色包，完美融合了三种不同的吉他，创造出独特的音色，可以为任何旋律增添优美而略带辨识度的音色。我们添加了ModWheel，增添了些许合唱效果。 Halfman钢琴采用与Jim钢琴不同的立式钢琴制作而成，并以尽可能柔和的音域录制，为您带来如同毡布般柔和的钢琴音色。我们的美学设计仅限于钢琴的一半，以确保铃铛音色始终保持一致。同时，我们还决定将钢琴下半部分的琴弦静音，打造出"笼式"静音钢琴。 为了完善更新，我们添加了加州中央海岸设计师酒杯的完整两个八度采样，其中包括动态变形的长音、短音和"钟"音。 我们还对音色库中的其他乐器进行了一些细微调整，包括调音和一些轻微的性能增强。 在音色库中，您会发现许多令人惊叹的音色，但或许没有比钟琴更独特的了。这件全新打造的乐器外观与钟琴完全相同，但其内部结构却如同高端钟琴。它拥有前所未有的独特而神奇的音色。您还应该关注"吉姆的钢琴"，这是一架完美无瑕的19世纪斯坦威立式钢琴，经过多年的精心雕琢，形成了最奇特、最有趣的音色。这架钢琴拥有令人难以置信的个性和生命力——完全有能力为世界上最熟悉的钢琴增添一个非同寻常、略带民族风情的版本。如果您注意到高音三四个音符缺失，那是因为在乐器制造时，它们甚至还不是标准配置。这应该能让您感受到这件乐器的年代感。其他亮点包括令人愉悦的温暖木琴，它以一种您从未听过的方式呈现，以及出类拔萃的自动竖琴，它能为您的曲目带来通透的古筝般的叠录效果，而这些正是您一直缺少的。 这是我们很久以来一直想录制的音色库。每个声音都有能力成为重要的贡献者，扮演重要的角色——它们能够存在于曲目中，而不会过于引人注目，同时又能发挥其色彩的作用。我们真诚地希望您喜欢这个音色库。我们将一如既往地与我们的工程师、制作人、音乐家、编辑、程序员和其他贡献者团队分享收益。 CINEBELLS 乐器 Here we present a focused, tidy collection of intimately-recorded, overdub ready, pitched happiness. A sizable 10GB (at compressed NI NCW) collection of pitched bells, dulcimers and keyboards specifically designed to construct tonal groove elements. For years we've been subjected to typical cinematic grooves composed of various small percussive elements; sticks, logs, shakers, claves, tambourines, finger cymbals, and other unpitched toys – yet there was an obvious lack of pitched counterparts. Partially inspired by the tasty tonal percussion overdub tracks on Radiohead's "No Surprises" and Green Day's "Wake Me Up When September Ends," we set out to produce a library which could easily camouflage itself in any track of any genre. Aside from applying the production techniques of modern sampling, we had to take special care taming these incredibly verbal instruments; especially the mallet keyboards as they have the power to drown out an entire orchestra in a hall setting. Using a combination of instrument treatments, mellow mallets, small pencil condensers and elite Class-A outboard gear (Lexicon PCM 91, Avalon 2055 EQ, Waves L2 Hardware Limiter, Manley Variable Mu), we were able to capture an incredibly usable mix. You will hear a tremendously clean signal featuring perfectly smooth transients, transparent highs, warm mids and tastefully rolled-off lows, with just enough ambience to prevent sterility. We've also included true mono; a single microphone (not a faked, stereo fold down) as it would be used in 90% of these types of situations in the studio. We have captured an authentic and familiar sound – that your client will hopefully feel rather than notice outright when they hear your cues. WHAT'S NEW IN CINEBELLS V1.1 Our new Guitar Bell Harmonics Patch, is a combination of 3 different guitars blended perfectly to create a unique sound that can add a beautiful, slightly recognizable tone to any melodic line. We added the use of the ModWheel to add in a slight chorusing effect. The Halfman Piano was created from a different upright than Jim's piano and was recorded in the softest range possible to give you a soft felt-like piano tone. Our aesthetic was limited to only half of the piano to ensure that this bell-tone was consistent throughout. At the same time, we also decided to mute the strings of this piano on the lower half to create a "Cage-Style" muted piano. To round off the updates we included a full, two-octave sampling of some California Central-Coast designer wine glasses, these include dynamically morphed longs, shorts, and "bell" hits. We also did some minor tweaks to the other instruments in the library including tuning, and some slight performance enhancements. Within the library you will find many amazing sounds, but perhaps none more unique then the Glocken-Celeste. A newly constructed instrument which appears identical to a celeste on the outside but contains the inner workings of a high end glockenspiel. It has a unique and incredibly magical sound never before sampled. You should also take note of "Jim's Piano" a perfectly imperfect 1800's Steinway upright, which through years of care has developed the most peculiar and interesting timbre. This instrument has incredible character and life – completely capable of adding an atypical, slightly ethnic version of the world's most familiar update. If you notice the upper three or four notes missing, it is because they weren't even standard on the instrument at the time of its construction. This should give you a feeling of the age of the instrument. Other standouts include the delightfully warm xylophone presented in a way you have never heard and the standout Autoharp which can give you the transparent zither-like overdub your tracks have been missing. This is a library we have been meaning to record for quite a while. Each sound has the capability to become a substantial contributor, a role player – capable of existing in a track without drawing too much attention to itself, yet fulfilling its role of color. We sincerely hope you enjoy this library. As always we share our revenue with our team of engineers, producers, musicians, editors, programmers and other contributors. CINEBELLS INSTRUMENTS |